
Learn more about our past programming below, or check out our current season for upcoming performances.
Learn more about our past programming below, or check out our current season for upcoming performances.
livestream concert and virtual reception
Our season finale included Bach’s Brandenburg Concerto no. 5; C.P.E. Bach’s Quartet in A minor for flute, viola, cello, and harpsichord; Porpora’s Sinfonia da camera, op. 2, no. 6; and Vivaldi’s Overture to Part 2 of La Senna festeggiante. Filmed by Four/Ten Media.
livestream concert and virtual reception
Jeffrey Grossman begins the concert with an amuse-bouche by Bach. Daniel Lee traveled to North Carolina to record pieces for two violins by Telemann and Leclair in person with Nicholas DiEugenio. Jeffrey Grossman and Daniel also performed a sonata by Senaillé. Finally, through the magic of technology, Nicholas, Daniel, and Jeffrey perform a rarely-played trio sonata by Jacquet de La Guerre.
livestream concert and virtual reception
Daniel Lee and Jeffrey Grossman recorded sonatas Joseph Bologne and Jacquet de La Guerre (and some Bach) in New York; Nicholas DiEugenio and Mimi Solomon recorded Schubert in North Carolina; Ezra Seltzer recorded Colombi in Upstate New York.
While performing concerts for in-person audiences wasn’t possible this year, we instead debuted a free donor-supported Virtual Season, including the release of 30+ videos and three newly-recorded virtual concerts.
This concert was postponed as a result of the COVID-19 pandemic and has been rescheduled for May 2022. Learn more about the rescheduled performances. This exquisite collaboration between the Sebastians and choreographer Christopher Caines will take your breath away—enjoy the most beautiful movement and music together, with the Christopher Caines Dance Company in dance suites by Bach and his French contemporaries
Good Shepherd-Faith Presbyterian Church, NYC (map)
This concert was postponed as a result of the COVID-19 pandemic and has been rescheduled for May 2022. Learn more about the rescheduled performances. This exquisite collaboration between the Sebastians and choreographer Christopher Caines will take your breath away—enjoy the most beautiful movement and music together, with the Christopher Caines Dance Company in dance suites by Bach and his French contemporaries
Good Shepherd-Faith Presbyterian Church, NYC (map)
This concert was sadly cancelled as a result of the COVID-19 pandemic. Sip a glass of wine while enjoying the core Sebastians quartet and the violoncello da spalla in the intimate Tenri Cultural Institute
Tenri Cultural Institute (map)
Break into the new year with a genre-crossing concert featuring the Sebastians lauded core quartet and lauded poet Kimiko Hahn
Good Shepherd-Faith Presbyterian Church, NYC (map)
The “sparkling, radiant” Dutch-American soprano Katharine Dain and trumpeter Steven Marquardt (“powerful… elegant… glorious”) join the Sebastians in Bach’s Cantata 51
7 South St., Collinsville, CT (map)
The Sebastians return to New Jersey to continue their collaboration with Music in the Somerset Hills. Stephen Sands, the Artistic Director of Music in the Somerset Hills, conducts the Somerset Hills Community Chorus and the Drew University Choir, alongside professional soloists and the Sebastians, in Handel’s beloved Messiah. On December 6 (at Presbyterian Church in Morristown) and December 7 (at Drew University Concert Hall)
Drew University Concert Hall, Dorothy Young Center for the Arts, Madison, NJ (map)
The Sebastians return to New Jersey to continue their collaboration with Music in the Somerset Hills. Stephen Sands, the Artistic Director of Music in the Somerset Hills, conducts the Somerset Hills Community Chorus and the Drew University Choir, alongside professional soloists and the Sebastians, in Handel’s beloved Messiah. On December 6 (at Presbyterian Church in Morristown) and December 7 (at Drew University Concert Hall)
The Presbyterian Church in Morristown, NJ (map)
The “sparkling, radiant” Dutch-American soprano Katharine Dain and trumpeter Steven Marquardt (“powerful… elegant… glorious”) join the Sebastians in Bach’s Cantata 51
Good Shepherd-Faith Presbyterian Church, NYC (map)
Arthur Haas and Jeffrey Grossman go head-to-head with the Sebastians strings in a thrilling concert for two harpsichords and fourteen hands
Good Shepherd-Faith Presbyterian Church, NYC (map)
Let’s toast the beginning of a new season in style—with virtuosic new Italian music of the 17th century for violin and continuo, paired with delicious Italian wines in a cool Greenwich Village venue
Good Shepherd-Faith Presbyterian Church, NYC (map)
1 violin, 2 violins, 3 violins, 4 violins… This concert celebrates the virtuosity and variety of the violin, from solo sonatas all the way to concerti grossi.
Good Shepherd-Faith Presbyterian Church, NYC (map)
The performance hall at the Yale Collection seats only 96–100 people. The concert will also be live-streamed.
Yale Collection of Musical Instruments, New Haven (map)
The Sebastians perform with New Jersey’s Harmonium Choral Society, with Anne Matlack, conductor, and featuring Dann Coakwell as Evangelist.
St. Mary’s Abbey, Morristown, NJ (map)
In 2019, the Sebastians and TENET Vocal Artists are teaming up again to present Bach’s even more stunning St. Matthew Passion, which features two orchestras and two group of vocal soloists! This unconducted performance features an exceptional orchestra and cast of singers, and it is truly the highlight of our season—a MUST-SEE for all New York music-lovers. Jeffrey Grossman will lead the two ensembles from the chamber organ with tenor Aaron Sheehan as the Evangelist and Tyler Duncan as Jesus. Daniel S. Lee leads the first orchestra and Nicholas DiEugenio the second, for a special experience: the St. Matthew Passion as chamber music.
St. Peter’s Episcopal Church, Chelsea (map)
In 2019, the Sebastians and TENET Vocal Artists are teaming up again to present Bach’s even more stunning St. Matthew Passion, which features two orchestras and two group of vocal soloists! This unconducted performance features an exceptional orchestra and cast of singers, and it is truly the highlight of our season—a MUST-SEE for all New York music-lovers. Jeffrey Grossman will lead the two ensembles from the chamber organ with tenor Aaron Sheehan as the Evangelist and Tyler Duncan as Jesus. Daniel S. Lee leads the first orchestra and Nicholas DiEugenio the second, for a special experience: the St. Matthew Passion as chamber music.
St. Peter’s Episcopal Church, Chelsea (map)
Nicholas DiEugenio and Jeffrey Grossman present J.S. Bach’s two sonatas and fugue for violin and continuo, surrounded by works by Bach’s contemporaries. Often overlooked by performers, the two sonatas, gems of the chamber music repertoire, highlight multiple facets of his musical personality—sweet and joyful (the G major sonata) vs. dark and unsettled (the E minor sonata). This program is the perfect complement to the November 10 concert of Bach’s six sonatas for violin and obbligato harpsichord.
Good Shepherd-Faith Presbyterian Church, NYC (map)
The musicians of the Sebastians have long looked forward to putting their personal stamp on Handel’s beloved Messiah. For the first time ever, the Sebastians and TENET Vocal Artists will present their unique take on the time-honored masterwork this December. With a choir of only twelve amazing vocal soloists and an orchestra of only fifteen remarkable instrumentalists, the Sebastians and TENET highlight the majesty as well as the intimacy of Messiah. From textures as humble as a single violin, singer, and continuo, to the awe-inspiring excitement of the full ensemble—including trumpets and timpani!—Handel’s genius has never been better showcased.
St. Vincent Ferrer, NYC (map)
The musicians of the Sebastians have long looked forward to putting their personal stamp on Handel’s beloved Messiah. For the first time ever, the Sebastians and TENET Vocal Artists will present their unique take on the time-honored masterwork this December. With a choir of only twelve amazing vocal soloists and an orchestra of only fifteen remarkable instrumentalists, the Sebastians and TENET highlight the majesty as well as the intimacy of Messiah. From textures as humble as a single violin, singer, and continuo, to the awe-inspiring excitement of the full ensemble—including trumpets and timpani!—Handel’s genius has never been better showcased.
St. Vincent Ferrer, NYC (map)
Daniel S. Lee and Jeffrey Grossman present the complete sonatas for violin and obbligato harpsichord by Johann Sebastian Bach—these six sonatas are not only finely crafted, intricate, and beautiful pieces, but represent a historically important step in the development of the keyboard in chamber music. Join us for the first classical performances offered in beautiful Harlem Parish.
Harlem Parish, NYC (map)
The Sebastians, the Collection’s ensemble-in-residence, perform works by Roman and Venetian baroque composers, as well as Couperin’s L’apothéose de Corelli, inspired by the great Roman master.
Yale Collection of Musical Instruments, New Haven (map)
Solo sonatas and trio sonatas by Venetian and Roman composers, celebrating the two most important Italian centers of baroque music
Good Shepherd-Faith Presbyterian Church, NYC (map)
The musical journey through the development of the trio sonata genre begins with sonatas and dances by Venetian composers, Dario Castello and Tarquinio Merula. After exploring trio sonatas by Roman composers including Giovanni Battista Fontana and Arcangelo Corelli, the program returns to Venice with the grand finale: Antonio Vivaldi’s La Folia.
Saint James Episcopal Church, Lancaster, PA (map)
Sensational harpist Bridget Kibbey, declared “a marvel” by The New York Times, will join forces with members of the Sebastians, an ensemble known for “elegant string playing… immaculate in tuning and balance” (Early Music Today). J.S. Bach’s monumental Toccata & Fugue in D minor will be part of their inspired program that re-imagines masterpieces of this Baroque master, adapted by Kibbey for harp and early-instrument string quartet.
Stamford United Methodist Church, NY (map)
The Sebastians and TENET are thrilled to join forces again for a transcendent concert of sublime cantatas by the German baroque composer Dieterich Buxtehude and instrumental works by his compatriots Handel, Biber, and Kerll. This stirring program is an invocation of hope, calling forth from despair and light from darkness.
Mt. Gretna Playhouse, Mount Gretna, PA (map)
A casual one hour concert with Jeffrey Grossman, harpsichord, and Daniel S. Lee, violin, followed by “Bach” beer and Fro “burgers.”
House Concert, Mount Gretna, PA
Our grand season finale juxtaposes the Italian virtuosity of Bach’s Brandenburg concerti with the French elegance of his Orchestral Suites—back to back. Rarely performed together, these magnificent works reveal two sides of Bach’s musical personality and feature an exceptional variety of instrumental colors: seductive flute, playful oboes and bassoon, majestic hunting horns, exhilarating harpsichord, and even the brilliant violino piccolo, played by our own in-house specialist, founding director Daniel S. Lee.
Good Shepherd-Faith Presbyterian Church, NYC (map)
The Sebastians and TENET, following last season’s acclaimed St. John Passion, are thrilled to join forces again for a transcendent concert of sublime sacred cantatas by the German baroque composer Dieterich Buxtehude and instrumental works by his compatriots Handel, Biber, and Kerll. This stirring program is an invocation of spring, calling forth hope from despair and light from darkness.
St. Vincent Ferrer, NYC (map)
Sadly, this performance was cancelled due to inclement weather. The Sebastians celebrate Bach and his influence in this sparkling program including works by Corelli, Handel, Vivaldi, and the master himself.
PS 321, Brooklyn (map)
Their program of High Baroque trio sonatas explores the variety of styles used by composers of different nationalities. Built around François Couperin’s Les Nations, it includes works by Arcangelo Corelli, William Boyce, and George Frederic Handel, ending with the Sebastians signature rendition of Antonio Vivaldi’s Folia.
St. Andrew’s Episcopal Church, Ann Arbor (map)
Their program of High Baroque trio sonatas explores the variety of styles used by composers of different nationalities. Built around François Couperin’s Les Nations, it includes works by Arcangelo Corelli, William Boyce, and George Frederic Handel, ending with the Sebastians signature rendition of Antonio Vivaldi’s Folia.
Congregational Church of Birmingham, Bloomfield Hills (map)
Centered on François Couperin’s Les Nations, this program features works by Arcangelo Corelli, William Boyce, and George Frederic Handel, ending with the Sebastians signature rendition of Antonio Vivaldi’s Folia.
Grace Episcopal Church, Hartford, CT (map)
The Sebastians present a program of elegance, wit, and passion in a journey back in time through two of Mozart’s important artistic centers—Salzburg and Vienna.
Salzburg, the sleepy provincial city where Mozart’s father was a court violinist and Kapellmeister in the 1740-60s, was in the previous century home to two influential composers in their own right—Heinrich Ignaz Franz von Biber and Georg Muffat. Biber, regarded as one of the greatest violinists of his time, worked for most of his life in the Salzburg court and developed groundbreaking techniques in string writing. Muffat also worked as a court musician in Salzburg for ten years during his cosmopolitan career. The Sebastians top off this program with their signature rendition of the Follia by Antonio Vivaldi, who settled in Vienna in his final years. The centerpiece of this varied program is Mozart’s Concerto in A, K. 414, which will be performed by Yi-heng Yang on a fortepiano built in the style of Mozart’s own instrument, recreating the incisive and dramatic sounds of his musical language. Not only does the stylistic juxtaposition of Mozart with his Baroque predecessors cast the beloved Classical genius in an arresting new light, but the combined collection of composers becomes a fantastical historical journey through two of Europe’s most musical cities.
Doctorow Center for the Arts, Hunter, NY (map)
What does it mean to be a German, French, or Italian composer? In the 18th century, as national identity became more defined, composers grappled with that question, expressing their emerging national styles while also freely borrowing from others. This cosmopolitan program of Corelli, Telemann, Couperin, Muffat, Boyce, Royer, and Handel brings to life an enchanting diversity of styles.
Yale Collection of Musical Instruments, New Haven (map)
What does it mean to be a German, French, or Italian composer? In the 18th century, as national identity became more defined, composers grappled with that question, expressing their emerging national styles while also freely borrowing from others. This cosmopolitan program of Corelli, Telemann, Couperin, Muffat, Boyce, Royer, and Handel brings to life an enchanting diversity of styles.
Good Shepherd-Faith Presbyterian Church, NYC (map)
In the seventeenth and eighteenth centuries, Amsterdam was a thriving musical “port city”—one of the few places composers sent their precious manuscripts to be published, and from there, disseminated across Europe. In this concert, the Sebastians explore chamber music by Locatelli, who made Amsterdam his home, and his Italian compatriots who published there: Corelli, Mossi, Somis, Vivaldi, and Lully.
First Church of Christ, Scientist, NYC (map)
Sensational harpist Bridget Kibbey, declared “a marvel” by The New York Times, will join forces with members of the Sebastians, an ensemble known for “elegant string playing… immaculate in tuning and balance” (Early Music Today). J.S. Bach’s monumental Toccata & Fugue in D minor will be part of their inspired program that re-imagines masterpieces of this Baroque master, adapted by Kibbey for harp and early-instrument string quartet.
Wave Hill, Bronx, NY (map)
As a tercentenary tribute to Mr. Handel and his Water Music, Music in the Somerset Hills is proud to present an outdoor, on the water performance of this work at the Lake Club in Far Hills on Saturday, June 24 at 8:30 PM. On a platform built out into the lake (no royal barge being available), Stephen Sands will conduct the well-known early music ensemble, the Sebastians, in performances of the Water Music and a contemporary work almost as famous, the Spring and Summer movements of Vivaldi’s Four Seasons. The rain date is Sunday, June 25. If it is raining again on Sunday, the concert will move indoors to The Pingry School in Basking Ridge. Tickets and more info.
The Lake Club, Far Hills, NJ (map)
The Sebastians return to beautiful Emanuel Lutheran Church for a sparkling program for baroque violin, flute, cello, and harpsichord, including Bach’s trio sonata from the Musical Offering and works by Bach’s contemporaries, Handel and Telemann.
Manchester, CT (map)
Following a season of grand orchestras and spectacular ensembles, we return for our season finale to chamber music, and the intimacy of the quartet—baroque violin, flute, cello, and harpsichord. This sparkling program features music by J.S. Bach and his contemporaries, Handel and Telemann, including selections from Bach’s famous Musical Offering.
Featuring, Daniel S. Lee, violin, David Ross, traverso, Ezra Seltzer, cello, and Jeffrey Grossman, harpsichord.
All Angels’ Church, NYC (map)
The crown jewel of our season: this unique concert experience promises to present Bach’s Sonatas and Partitas for Solo Violin as you’ve never heard them before. Bach’s six contrapuntal masterpieces will be presented as an installation for you to explore. Come enter “the mind of the master” with the virtuosic violinists of the Sebastians.
St. John the Divine (map)
The Sebastians and TENET are teaming up to present J.S. Bach’s St. John Passion in an unconducted performance with an exceptional orchestra and cast of singers. This spectacular production is truly the highlight of our season, and a MUST-SEE for all New York music-lovers. Jeffrey Grossman will lead the two ensembles from the chamber organ with tenor Aaron Sheehan as the Evangelist.
St. Paul’s German Evangelical Lutheran Church, NYC (map)
The Sebastians and TENET are teaming up to present J.S. Bach’s St. John Passion in an unconducted performance with an exceptional orchestra and cast of singers. This spectacular production is truly the highlight of our season, and a MUST-SEE for all New York music-lovers. Jeffrey Grossman will lead the two ensembles from the chamber organ with tenor Aaron Sheehan as the Evangelist.
St. Paul’s German Evangelical Lutheran Church, NYC (map)
Join us in Seattle for a concert with renowned harpist Bridget Kibbey. The New York Times declares, “It seems as though Kibbey’s instrument had been waiting for all its life to explore with the gorgeous colors and energetic figures she was getting from it.” Bridget curates a special evening of music by Johann Sebastian Bach, reinvented for the harp.
St. Michael’s Westside Church, Olympia (map)
Join us in Seattle for a concert with renowned harpist Bridget Kibbey. The New York Times declares, “It seems as though Kibbey’s instrument had been waiting for all its life to explore with the gorgeous colors and energetic figures she was getting from it.” Bridget curates a special evening of music by Johann Sebastian Bach, reinvented for the harp.
The Sebastians return to New Jersey to continue their collaboration with Music in the Somerset Hills. Stephen Sands, the Artistic Director of Music in the Somerset Hills, conducts the Somerset Hills Community Chorus, singing alongside professional soloists, in a performance of Mozart’s last—and uncompleted—work. The beautiful and special sound of classical-era instruments replicates what Mozart would have heard, had he lived to perform the piece. The massed ensemble will perform Robert D. Levin’s modern completion of the Requiem.
Pingry School Hauser Auditorium, Basking Ridge, NJ (map)
With Louise Fauteux, soprano, Sarah Kraus, mezzo-soprano, David Vanderwal, tenor, and Edward Pleasant, baritone.
St. Theresa Church, Trumbull, CT (map)
This festive program will center on Vivaldi’s Four Seasons, paired with a newly commissioned companion work by Tawnie Olson. Olson’s unique approach to birdsong will shed new light on the changing of the seasons, and pairing Vivaldi’s concerti with this world premiere will make for one thrilling evening. The new work by Olson will be a reflection, a mirror, and a response to Vivaldi that will help to further enliven and enrich the concert experience for modern listeners.
The concert will be bookended with music by J. S. Bach, underlining the direct influence these two composers had on each other, despite never meeting.
All Angels’ Church, NYC (map)
Avaloch Farm Music Institute provides a unique opportunity for chamber music and jazz ensembles at any stage of development, to have the time and space to work intensively on repertoire, prepare for recordings, concerts or competitions, work with composers on commissions, and forge or reconnect to a group musical identity. The violinists of the Sebastians will be working on projects for the rest of the season, including our innovating program of Bach’s sonatas and partitas for solo violin.
16 Hardy Lane, Boscawen, NH
The Sebastians trace the musical evolution of the Italian style as it migrated over the mountains to the Austro-German regions. Take a musical journey with baroque violin, cello, harpsichord, and the stunning soprano Awet Andemicael. Vocal and instrumental works by Alessandro Stradella, Handel, Buxtehude, Biber, and other baroque masters. Wine and cheese reception in the Meeting House Art Gallery.
New Marlborough Village Meeting House, MA (map)
We open our season with a performance of five of J. S. Bach’s Brandenburg Concerti. While these works are widely regarded as some of the most famous orchestral compositions of the baroque period, their diverse instrumentation makes programming more than one concerto in a concert a rare occurrence.
Our trumpet soloist John Thiessen was described by The New York Times as “the gold standard of Baroque trumpet playing in this country.” We’re thrilled to have John join our ensemble of exquisite soloists, which includes Priscilla Herreid, Meg Owens, David Ross, and others.
St. Paul’s German Evangelical Lutheran Church, NYC (map)
The Chelsea Music Festival celebrates great music by bringing together world-leading musicians and exciting newcomers to the international stage in the performing, culinary and visual arts.
New York City
Paris, 1741: Join us for a magnificent salon celebrating the decadent French spirit. Selections from Couperin’s Les Nations alongside music by Lully, Rebel, Telemann, and a special concerto by J. S. Bach will take your breath away in this grand season finale.
All Angels’ Church, NYC (map)
Earthly and heavenly, natural and spiritual – sometimes the two aren’t so different. From pop songs concealed in liturgy, to opera composers moonlighting as church musicians, Trident Ensemble, and the Sebastians team up to bring you an evening of exuberant sacred music influenced by secular trends. Come celebrate the summer with music by Du Fay, Monteverdi, Lully, Corelli, and more. Thank God (or the tilt of the Earth’s rotational axis) for the warm weather!
Church of St. Mary the Virgin, NYC (map)
This intriguing double bill juxtaposes music by the dynamic young composer Andy Akiho with a set of baroque masterpieces performed by the Sebastians. The piquant counterpoint of such works as Bach’s Brandenburg Concerto No. 3, which anchors the Sebastians’ program, is echoed by the keen sense of line in Akiho’s masterful LIgNEouS for string quartet and marimba. Akiho’s music, praised by the Times as “mold-breaking” and “vital,” features a cadre of today’s finest chamber musicians.
the Sebastians
Kristin Lee, violin
Ian David Rosenbaum, percussion
Amphion String Quartet:
Katie Hyun and David Southorn, violin
Wei-Yang Andy Lin, viola
Mihai Marica, cello
St. Bartholomew’s Church, New York (map)
This intimate duo concert takes you on a musical journey through Italy, Germany, and Austria. The salon-style program includes works by Bach, Fontana, Biber, Handel, and others, and offers a wonderful opportunity to relish the subtle interplay between harpsichord and violin. (Includes wine pairings!)
St. Barnabas Episcopal Church, Greenwich, CT (map)
7 South St., Collinsville, CT (map)
The Sebastians have teamed up with baritone Michael Hix to unearth the forgotten cantatas of Christoph Graupner.
Holy Trinity Lutheran Church (map)
Sebastians artistic directors Daniel S. Lee and Jeffrey Grossman explore the rich baroque repertoire of music for violin and harpsichord.
Tulsa, OK
We’ll be performing an exciting set of large-chamber works as part of the Avaloch Farm Music Institute’s showcase at National Sawdust, Williamsburg’s newest and coolest music venue.
After an overwhelming response to its 2013 performances of Mozart’s Requiem, Seraphic Fire presents a command repeat presentation of Mozart’s signature opus. Using Greg Spear’s post-minimalist completion of the work, commissioned by Seraphic Fire, the chorus and orchestra will once again soar in this timeless masterpiece, joined by the period players of the Sebastians.
St. Clement’s Episcopal, Philadelphia (map)
After an overwhelming response to its 2013 performances of Mozart’s Requiem, Seraphic Fire presents a command repeat presentation of Mozart’s signature opus. Using Greg Spear’s post-minimalist completion of the work, commissioned by Seraphic Fire, the chorus and orchestra will once again soar in this timeless masterpiece, joined by the period players of the Sebastians.
Trinity Wall Street, New York (map)
After an overwhelming response to its 2013 performances of Mozart’s Requiem, Seraphic Fire presents a command repeat presentation of Mozart’s signature opus. Using Greg Spear’s post-minimalist completion of the work, commissioned by Seraphic Fire, the chorus and orchestra will once again soar in this timeless masterpiece, joined by the period players of the Sebastians.
St. Paul’s Episcopal, Washington, DC (map)
After an overwhelming response to its 2013 performances of Mozart’s Requiem, Seraphic Fire presents a command repeat presentation of Mozart’s signature opus. Using Greg Spear’s post-minimalist completion of the work, commissioned by Seraphic Fire, the chorus and orchestra will once again soar in this timeless masterpiece, joined by the period players of the Sebastians.
South Miami-Dade Cultural Arts Center, Cutler Bay (map)
After an overwhelming response to its 2013 performances of Mozart’s Requiem, Seraphic Fire presents a command repeat presentation of Mozart’s signature opus. Using Greg Spear’s post-minimalist completion of the work, commissioned by Seraphic Fire, the chorus and orchestra will once again soar in this timeless masterpiece, joined by the period players of the Sebastians.
Miami Shores Presbyterian, Miami Shores (map)
After an overwhelming response to its 2013 performances of Mozart’s Requiem, Seraphic Fire presents a command repeat presentation of Mozart’s signature opus. Using Greg Spear’s post-minimalist completion of the work, commissioned by Seraphic Fire, the chorus and orchestra will once again soar in this timeless masterpiece, joined by the period players of the Sebastians.
All Saints Episcopal, Ft. Lauderdale (map)
The Sebastians demonstrate their passion for energetic historically-informed performance in this exploration of solo and trio sonatas by Arcangelo Corelli and his contemporaries. As the legendary Orpheus used his music as a rhetorical weapon, Corelli brought a new level of virtuosity and expression to violin playing. Corelli’s infectious harmonic and structural language took Europe by storm, but it was his older Roman compatriots, including Lelio Colista, Girolamo Frescobaldi, and Alessandro Stradella, who set the stage.
Synod Hall, Pittsburgh (map)
As the legendary Orpheus used his music as a rhetorical weapon, Arcangelo Corelli brought a new level of virtuosity and expression to violin playing. This intimate program brings you inside Corelli’s musical world via his older Roman compatriots, including Lelio Colista, Girolamo Frescobaldi, and Alessandro Stradella.
All Angels’ Church, NYC (map)
Messiah has rendered audiences speechless since its 1743 sold-out debut. Anchored by the recognizable and triumphant Hallelujah Chorus, Handel’s Messiah is a pillar of Western music—an indisputable masterpiece that must be experienced live. Patrick Dupré Quigley conducts selections from Handel’s magnum opus.
South Miami-Dade Cultural Arts Center, Cutler Bay (map)
Messiah has rendered audiences speechless since its 1743 sold-out debut. Anchored by the recognizable and triumphant Hallelujah Chorus, Handel’s Messiah is a pillar of Western music—an indisputable masterpiece that must be experienced live. Patrick Dupré Quigley conducts selections from Handel’s magnum opus.
Miami Shores Presbyterian, Miami Shores (map)
Messiah has rendered audiences speechless since its 1743 sold-out debut. Anchored by the recognizable and triumphant Hallelujah Chorus, Handel’s Messiah is a pillar of Western music—an indisputable masterpiece that must be experienced live. Patrick Dupré Quigley conducts selections from Handel’s magnum opus.
All Saints Episcopal, Fort Lauderdale (map)
Kick off the holiday season and join us for a program of baroque concertos and exquisite Renaissance madrigals, including Corelli’s Christmas Concerto, Handel’s Gloria, and works by Byrd, Guerrero, Palestrina, and more. The performers include soprano Awet Andemicael, the Sebastians, and the Trident Ensemble. Reception to follow. All proceeds benefit the Connecticut Early Music Festival.
First Congregational Church, Old Lyme, CT (map)
The stunning soprano Awet Andemicael Handel’s recently-discovered Gloria, with other music by Vivaldi, Purcell, and Corelli. The “cherry on top” is the Sebastians signature rendition of Vivaldi’s Folia.
St. Barnabas Episcopal Church, Greenwich, CT (map)
Audience favorite Awet Andemicael (“enchanting” –Brandenburger Stadtkurier; “exquisite” –Milwaukee Journal Sentinel; “completely winning” –Boston Phoenix) rejoins the Sebastians for a new program of fiery, passionate vocal and instrumental music by Bach, Handel, Vivaldi, and more.
All Angels’ Church, NYC (map)
Stephen Sands conducts the Music in the Somerset Hills chorus, Antioch Chamber Ensemble, and the Sebastians.
The Pingry School, Basking Ridge (map)
Handel’s monumental Coronation Anthems, composed in 1727 for King George II and Queen Caroline of England, bring an exciting, regal note to Seraphic Fire’s season. Continuing in the same Royal vein, Seraphic Fire will complete this program with the Florida premiere of Marc-Antoine Charpentier’s triumphant Te Deum, a masterwork of the French Baroque style. The singers of Seraphic Fire will be joined by the Sebastians to perform these exquisite pieces.
St. Clement’s Episcopal, Philadelphia (map)
Handel’s monumental Coronation Anthems, composed in 1727 for King George II and Queen Caroline of England, bring an exciting, regal note to Seraphic Fire’s season. Continuing in the same Royal vein, Seraphic Fire will complete this program with the Florida premiere of Marc-Antoine Charpentier’s triumphant Te Deum, a masterwork of the French Baroque style. The singers of Seraphic Fire will be joined by the Sebastians to perform these exquisite pieces.
Trinity Wall Street, New York (map)
Handel’s monumental Coronation Anthems, composed in 1727 for King George II and Queen Caroline of England, bring an exciting, regal note to Seraphic Fire’s season. Continuing in the same Royal vein, Seraphic Fire will complete this program with the Florida premiere of Marc-Antoine Charpentier’s triumphant Te Deum, a masterwork of the French Baroque style. The singers of Seraphic Fire will be joined by the Sebastians to perform these exquisite pieces.
St. Paul’s Episcopal, Washington, DC (map)
Handel’s monumental Coronation Anthems, composed in 1727 for King George II and Queen Caroline of England, bring an exciting, regal note to Seraphic Fire’s season. Continuing in the same Royal vein, Seraphic Fire will complete this program with the Florida premiere of Marc-Antoine Charpentier’s triumphant Te Deum, a masterwork of the French Baroque style. The singers of Seraphic Fire will be joined by the Sebastians to perform these exquisite pieces.
South Miami-Dade Cultural Arts Center, Cutler Bay (map)
Handel’s monumental Coronation Anthems, composed in 1727 for King George II and Queen Caroline of England, bring an exciting, regal note to Seraphic Fire’s season. Continuing in the same Royal vein, Seraphic Fire will complete this program with the Florida premiere of Marc-Antoine Charpentier’s triumphant Te Deum, a masterwork of the French Baroque style. The singers of Seraphic Fire will be joined by the Sebastians to perform these exquisite pieces.
Miami Shores Presbyterian, Miami Shores (map)
Handel’s monumental Coronation Anthems, composed in 1727 for King George II and Queen Caroline of England, bring an exciting, regal note to Seraphic Fire’s season. Continuing in the same Royal vein, Seraphic Fire will complete this program with the Florida premiere of Marc-Antoine Charpentier’s triumphant Te Deum, a masterwork of the French Baroque style. The singers of Seraphic Fire will be joined by the Sebastians to perform these exquisite pieces.
All Saints Episcopal, Fort Lauderdale (map)
The Sebastians demonstrate their passion for energetic historically-informed performance in this exploration of solo and trio sonatas by Arcangelo Corelli and his contemporaries. As the legendary Orpheus used his music as a rhetorical weapon, Corelli brought a new level of virtuosity and expression to violin playing. Corelli’s infectious harmonic and structural language took Europe by storm, but it was his older Roman compatriots, including Lelio Colista, Girolamo Frescobaldi, and Alessandro Stradella, who set the stage.
Yale Collection of Musical Instruments, New Haven (map)
The Sebastians join the choirs of the Unitarian Church in Westport and Music on the Hill (Wilton), under Edward Thompson, conductor, for a free performance of Handel’s magnificent oratorio, Israel in Egypt.
Esteli Gomez, soprano
Virginia Warnken, soprano
Michael Wisdom, countertenor
Dann Coakwell, tenor
Norwalk Concert Hall, Norwalk, CT (map)
Seraphic Fire opens their 14th Season in a combination of contemporary and canon: a newly-commissioned work by young American composer Jake Runestad, along with Franz Schubert’s Mass in G Major, with the period instrumentalists of the Sebastians.
All Souls Episcopal, Miami Beach (map)
Seraphic Fire opens their 14th Season in a combination of contemporary and canon: a newly-commissioned work by young American composer Jake Runestad, along with Franz Schubert’s Mass in G Major, with the period instrumentalists of the Sebastians.
All Saints Episcopal, Ft. Lauderdale (map)
Seraphic Fire opens their 14th Season in a combination of contemporary and canon: a newly-commissioned work by young American composer Jake Runestad, along with Franz Schubert’s Mass in G Major, with the period instrumentalists of the Sebastians.
St. Philip’s Episcopal, Coral Cables (map)
Seraphic Fire opens their 14th Season in a combination of contemporary and canon: a newly-commissioned work by young American composer Jake Runestad, along with Franz Schubert’s Mass in G Major, with the period instrumentalists of the Sebastians.
Moorings Presbyterian, Naples (map)
Seraphic Fire opens their 14th Season in a combination of contemporary and canon: a newly-commissioned work by young American composer Jake Runestad, along with Franz Schubert’s Mass in G Major, with the period instrumentalists of the Sebastians.
St. Sophia Cathedral, Miami (map)
An evening of sumptuous music, food and ambiance with world class choral musicians and baroque instrumentalists of the Antioch Chamber Ensemble and the Sebastians. Come hear Bach’s motets Jesu, meine Freude, and Lobet den Herrn, BWV 227 and 230 in a beautiful setting, conducted by Stephen Sands.
Trump National Golf Club, Bedminster (map)
The Sebastians violinists Daniel S. Lee Nicholas DiEugenio and Alexander Woods present a dazzling display of virtuoso works for three violins and continuo. “All for one and one for all!”
All Angels’ Church, NYC (map)
Daniel S. Lee, scholar and virtuoso, wrote his doctoral dissertation on the violono piccolo. This season he leads the Sebastians in a recording of works for the diminutive instrument by Telemann, Fux, Pfeiffer, Buxtehude, and others.
New York
Sacred and secular works by Handel and Vivaldi with soprano Awet Andemicael, featuring our signature rendition of Vivaldi’s La Folia.
All Angels’ Church, NYC (map)
The Chapel at St. Bartholomew’s Episcopal Church (map)
Vivaldi’s famed Four Seasons—with violinists Daniel S. Lee, Nicholas DiEugenio, and Dongmyung Ahn—paired with the sonnets that inspired them, performed by actor Cassandra Stokes-Wylie.
Private Home in Far Hills, NJ (map)
This performance with the St. Barnabas Choir and Soloists will be conducted by J. Michael Roush.
St. Barnabas Episcopal Church, Greenwich, CT
Bach Vespers of Holy Trinity and the Sebastians perform Bach’s cantata, BWV 4 “Christ lag in Todesbanden” under the direction of Donald Meineke.
Holy Trinity Lutheran Church (map)
Works by J.S. Bach, Handel, Buxtehude, Rosenmuller, Erlebach, and Telemann
Seraphic Fire’s Founder and Artistic Director, Patrick Dupré Quigley, takes audiences on a signature journey into the mind of Wolfgang Amadeus Mozart to discover the composer’s musical motivation in creating one of his most recognizable pieces: the Ave Verum Corpus. Drawing upon the music of Bach, Palestrina, and other Mozart predecessors, this program of discovery will allow the listener to peek behind the curtain of Mozart’s genius.
All Souls Episcopal, Miami Beach (map)
Seraphic Fire’s Founder and Artistic Director, Patrick Dupré Quigley, takes audiences on a signature journey into the mind of Wolfgang Amadeus Mozart to discover the composer’s musical motivation in creating one of his most recognizable pieces: the Ave Verum Corpus. Drawing upon the music of Bach, Palestrina, and other Mozart predecessors, this program of discovery will allow the listener to peek behind the curtain of Mozart’s genius.
All Saints Episcopal, Ft. Lauderdale (map)
Seraphic Fire’s Founder and Artistic Director, Patrick Dupré Quigley, takes audiences on a signature journey into the mind of Wolfgang Amadeus Mozart to discover the composer’s musical motivation in creating one of his most recognizable pieces: the Ave Verum Corpus. Drawing upon the music of Bach, Palestrina, and other Mozart predecessors, this program of discovery will allow the listener to peek behind the curtain of Mozart’s genius.
St. Philip’s Episcopal, Coral Gables (map)
Seraphic Fire’s Founder and Artistic Director, Patrick Dupré Quigley, takes audiences on a signature journey into the mind of Wolfgang Amadeus Mozart to discover the composer’s musical motivation in creating one of his most recognizable pieces: the Ave Verum Corpus. Drawing upon the music of Bach, Palestrina, and other Mozart predecessors, this program of discovery will allow the listener to peek behind the curtain of Mozart’s genius.
St. Sophia Cathedral, Miami (map)
Biber’s Rosary Sonatas and other evocative works for violin and continuo with the Sebastians core musicians, Daniel S. Lee, Ezra Seltzer, and Jeffrey Grossman.
All Angels’ Church, NYC (map)
The Lord Nelson Mass has been lauded as “arguably Haydn’s greatest single composition,” by the master’s chief biographer. The profound majesty of this monumental work is a highlight of the Classical era and influenced, among others, the music of Mozart, Beethoven, Schubert, and Brahms. The Lord Nelson Mass will be sung by the expert voices of Seraphic Fire, and, for the first time in Florida, be performed on original Classical instruments by the Sebastians period orchestra.
South Miami-Dade Cultural Arts Center, Cutler Bay (map)
The Lord Nelson Mass has been lauded as “arguably Haydn’s greatest single composition,” by the master’s chief biographer. The profound majesty of this monumental work is a highlight of the Classical era and influenced, among others, the music of Mozart, Beethoven, Schubert, and Brahms. The Lord Nelson Mass will be sung by the expert voices of Seraphic Fire, and, for the first time in Florida, be performed on original Classical instruments by the Sebastians period orchestra.
All Saints Episcopal, Ft. Lauderdale (map)
The Lord Nelson Mass has been lauded as “arguably Haydn’s greatest single composition,” by the master’s chief biographer. The profound majesty of this monumental work is a highlight of the Classical era and influenced, among others, the music of Mozart, Beethoven, Schubert, and Brahms. The Lord Nelson Mass will be sung by the expert voices of Seraphic Fire, and, for the first time in Florida, be performed on original Classical instruments by the Sebastians period orchestra.
Miami Shores Presbyterian, Miami Shores (map)
Bach Vespers of Holy Trinity and the Sebastians perform Bach’s cantata, BWV 188, “Ich habe meine Zuversicht,” under the direction of Donald Meineke.
Holy Trinity Lutheran Church (map)
Works by Bach, Telemann, Buxtehude, Rosenmüller, and Pfeiffer
Part of the Holy Trinity Mid-Winter Festival
Holy Trinity Lutheran Church (map)
Bach Vespers of Holy Trinity and the Sebastians perform Bach’s cantata, BWV 83, “Erfreute Zeit im neuen Bunde,” under the direction of Donald Meineke.
Holy Trinity Lutheran Church (map)
featuring James K. Bass as Guest Conductor
South Miami-Dade Cultural Arts Center, Cutler Bay (map)
featuring James K. Bass as Guest Conductor
Trinity Cathedral, Miami (map)
featuring James K. Bass as Guest Conductor
Broward Center for the Performing Arts, Fort Lauderdale (map)
Celebrating the approaching new year with Vivaldi’s famed Four Seasons, with violinists Daniel S. Lee, Nicholas DiEugenio, and Dongmyung Ahn.
All Angels’ Church, NYC (map)
Bach Vespers of Holy Trinity and the Sebastians perform Bach’s cantata, BWV 115, “Mache dich, mein Geist, bereit,” under the direction of Donald Meineke.
Holy Trinity Lutheran Church (map)
Antonio Vivaldi: composer, virtuoso, firebrand, genius. Known as the Red Priest by his contemporaries, Vivaldi’s music has triumphed throughout the centuries, captivating audiences for over 300 years. The brilliant singers of Seraphic Fire present Vivaldi’s choral masterpiece, the Gloria, in collaboration with the Sebastians, a New York-based period orchestra praised for their “energetic, youthful, vigorous performing style” by The New York Times, and proclaimed “immaculate in tuning and balance” by Early Music Today.
South Miami-Dade Cultural Arts Center, Cutler Bay (map)
Antonio Vivaldi: composer, virtuoso, firebrand, genius. Known as the Red Priest by his contemporaries, Vivaldi’s music has triumphed throughout the centuries, captivating audiences for over 300 years. The brilliant singers of Seraphic Fire present Vivaldi’s choral masterpiece, the Gloria, in collaboration with the Sebastians, a New York-based period orchestra praised for their “energetic, youthful, vigorous performing style” by The New York Times, and proclaimed “immaculate in tuning and balance” by Early Music Today.
All Saints Episcopal, Ft. Lauderdale (map)
Antonio Vivaldi: composer, virtuoso, firebrand, genius. Known as the Red Priest by his contemporaries, Vivaldi’s music has triumphed throughout the centuries, captivating audiences for over 300 years. The brilliant singers of Seraphic Fire present Vivaldi’s choral masterpiece, the Gloria, in collaboration with the Sebastians, a New York-based period orchestra praised for their “energetic, youthful, vigorous performing style” by The New York Times, and proclaimed “immaculate in tuning and balance” by Early Music Today.
U-M Maurice Gusman Concert Hall, Miami (map)
Kicking off our third season as ensemble-in-residence at All Angels’ Church with oboist Priscilla Herreid (Piffaro) in a program featuring music by our namesake, Bach, and his contemporaries. The evening will include a trio of works by J.S. Bach—a trio sonata, a violin and continuo sonata, and the first cello suite—as well as works by Handel, Telemann, C.P.E. Bach, Rosenmüller, and Froberger.
All Angels’ Church, NYC (map)
The Sebastians join forces with TENET and guest conductor Scott Metcalfe to offer a program of motets by J.S. Bach. Featured motets include “Komm, Jesu komm,” “Singet dem Herrn ein neues Lied,” and “Fürchte dich nicht, ich bin bei dir.”
Holy Trinity Lutheran Church (map)
Teaming up once again with the emerging artists of dell’Arte Opera Ensemble, the Sebastians are performing Purcell’s magnificent score in six performances featuring a new libretto by Christopher Caines based on Shakespeare’s Midsummer Night’s Dream.
Christopher Caines, stage director and choreographer
Jeffrey Grossman, music director
The East Thirteenth Street Theatre, NYC (map)
Teaming up once again with the emerging artists of dell’Arte Opera Ensemble, the Sebastians are performing Purcell’s magnificent score in six performances featuring a new libretto by Christopher Caines based on Shakespeare’s Midsummer Night’s Dream.
Christopher Caines, stage director and choreographer
Jeffrey Grossman, music director
The East Thirteenth Street Theatre, NYC (map)
Teaming up once again with the emerging artists of dell’Arte Opera Ensemble, the Sebastians are performing Purcell’s magnificent score in six performances featuring a new libretto by Christopher Caines based on Shakespeare’s Midsummer Night’s Dream.
Christopher Caines, stage director and choreographer
Jeffrey Grossman, music director
The East Thirteenth Street Theatre, NYC (map)
Teaming up once again with the emerging artists of dell’Arte Opera Ensemble, the Sebastians are performing Purcell’s magnificent score in six performances featuring a new libretto by Christopher Caines based on Shakespeare’s Midsummer Night’s Dream.
Christopher Caines, stage director and choreographer
Jeffrey Grossman, music director
The East Thirteenth Street Theatre, NYC (map)
Teaming up once again with the emerging artists of dell’Arte Opera Ensemble, the Sebastians are performing Purcell’s magnificent score in six performances featuring a new libretto by Christopher Caines based on Shakespeare’s Midsummer Night’s Dream.
Christopher Caines, stage director and choreographer
Jeffrey Grossman, music director
The East Thirteenth Street Theatre, NYC (map)
Teaming up once again with the emerging artists of dell’Arte Opera Ensemble, the Sebastians are performing Purcell’s magnificent score in six performances featuring a new libretto by Christopher Caines based on Shakespeare’s Midsummer Night’s Dream.
Christopher Caines, stage director and choreographer
Jeffrey Grossman, music director
The East Thirteenth Street Theatre, NYC (map)
In a concert featuring chamber and orchestral works for oboe, strings, and harpsichord, the Sebastians celebrate the 300th anniversary of Carl Philipp Emanuel Bach’s birth by juxtaposing his music with that of his father Johann Sebastian and brothers Johann Christian and Wilhelm Friedemann.
Saint Peter’s Church (map)
Jason McStoots, stage director
Jeffrey Grossman, music director
Krista River, Dido
Jesse Blumberg, Aeneas
Jolle Greenleaf, Belinda
Teresa Wakim, Second Woman
Mary Gerbi, Spirit and Sailor
Glorivy Arroyo, Sorceress
Virginia Warnken Kelsey, Second Witch
Brenna Wells, First Witch
Paul Guttry, Pluto
Evans Hall at Connecticut College (map)
Jason McStoots, stage director
Jeffrey Grossman, music director
Krista River, Dido
Jesse Blumberg, Aeneas
Jolle Greenleaf, Belinda
Teresa Wakim, Second Woman
Mary Gerbi, Spirit and Sailor
Glorivy Arroyo, Sorceress
Virginia Warnken Kelsey, Second Witch
Brenna Wells, First Witch
Paul Guttry, Pluto
Evans Hall at Connecticut College (map)
Commemorating the 250th anniversary of Rameau’s death
The Sebastians perform a music from Rameau’s operas, and by his contemporaries Louis-Antoine Dornel, Couperin, Corelli, and Telemann.
All Angels’ Church, NYC (map)
Commemmorating the 250th anniversary of Rameau’s death, the Sebastians perform a music from Rameau’s operas, and by his contemporaries Louis-Antoine Dornel, Couperin, Mondonville, and others.
Manchester, CT (map)
Featuring works by Bach, Biber, Corelli, Fontana, Froberger, Handel, Telemann, and Vivaldi. The program will explore the emergence of the instrumental styles of 17th-century Italy and the adaptation of the Italian styles in 18th-century Austro-Germany.
Good Shepherd-Faith Presbyterian Church, NYC (map)
Instrumental works of the Italian and German Baroque by Biber, Corelli, Fontana, Handel, Vivaldi, and others
Grace Episcopal Church, Hartford, CT (map)
Music by Biber, Bertoli, Uccellini, Bertali, Castello, Monteverdi, and Handel’s joyful Gloria. Featuring Awet Andemicael, soprano; Daniel S. Lee and Nicholas DiEugenio, violin; Claw Zeller-Townson, dulcian; Charles Weaver, theorbo and guitar; and Jeffrey Grossman, harpsichord and organ.
7 South St., Collinsville, CT (map)
A Holy Week performance as part of the TENEbrae Concert Series, juxtaposing Biber’s eerie sonata for the Rosary with Gregorian Chant by the singers of TENET.
St. Ignatius of Antioch (map)
The new music of the 17th century from Italy
All Angels’ Church, NYC (map)
Music of Castello, Merula, Fontana, Corelli, and Vivaldi’s Folia.
Columbus, OH
Thomas Jefferson, Maria Cosway, and the Music and Philosophy of the Enlightenment
Featuring:
Campbell Scott as Thomas Jefferson
Melissa Errico as Maria Cosway
Judith Hawking as the Narrator
Jessica Gould, soprano
Tony Boutté, tenor
Script and Stage Direction by Erica Gould
Jeffrey Grossman, harpsichord & leader
Igniting in Revolutionary Paris and unfolding over a 40-year epistolary relationship, the correspondence between Jefferson and Cosway brims with exquisite music and eloquent prose, as the romance between two polymaths, the Statesman-Architect and the Musician-Painter, renders a vivid picture of musical life in 18th century France and America.
The Bissel Room, Fraunces Tavern (map)
Featuring Corelli’s Christmas Concerto
All Angels’ Church, NYC (map)
Good Shepherd-Faith Presbyterian Church, NYC (map)
with Jolle Greenleaf, soprano
Music of Henry Purcell and Benjamin Britten, in honor of the patron saint of music.
Evans Hall at Connecticut College (map)
Music of Henry Purcell and Benjamin Britten, in honor of the patron saint of music.
St. Luke in the Fields, NYC (map)
From the House of Atreus to the Palace of Nero
Jessica Gould, soprano
José Lemos, countertenor
Jory Vinikour, harpsichord
Deborah Fox, theorbo
Script and Stage Direction by Erica Gould
Guest Actors, featuring Ethan Gregory Peck
Greek myth and Roman history refracted through the prism of the baroque, The Heirs of Tantalus weaves material from the Greek tragedies of Aeschylus and Euripides, biting commentary of the Roman historian Suetonius, and music of Monteverdi, Scarlatti and Handel into a depraved brew of hubris, blood-lust, and vengeance.
The Broad Street Ballroom (map)
From the House of Atreus to the Palace of Nero
Jessica Gould, soprano
José Lemos, countertenor
Jory Vinikour, harpsichord
Deborah Fox, theorbo
Script and Stage Direction by Erica Gould
Guest Actors, featuring Ethan Gregory Peck
Greek myth and Roman history refracted through the prism of the baroque, The Heirs of Tantalus weaves material from the Greek tragedies of Aeschylus and Euripides, biting commentary of the Roman historian Suetonius, and music of Monteverdi, Scarlatti and Handel into a depraved brew of hubris, blood-lust, and vengeance.
The Broad Street Ballroom (map)
Performing concerti from Vivaldi’s L’Estro Armonico alongside the newly-commissioned companion pieces by Robert Honstein, Night Scenes from the Ospedale
Grace Episcopal Church, Nyack, NY (map)
Performing concerti from Vivaldi’s L’Estro Armonico alongside the newly-commissioned companion pieces by Robert Honstein, Night Scenes from the Ospedale
Evans Hall at Connecticut College (map)
Performing concerti from Vivaldi’s L’Estro Armonico alongside the newly-commissioned companion pieces by Robert Honstein, Night Scenes from the Ospedale
The Italian Academy at Columbia University (map)
with Meg Owens, baroque oboe
with Yiheng Yang, fortepiano
with Linda Skernick, harpsichord
with Karl Dennis, luthier
with Eric Rice, musicologist
Trio sonatas, concertos, and suites by Bach and his contemporaries
The Sebastians presented a program featuring J.S. Bach’s famed Orchestral Suite No. 3 in D Major, trio sonatas by Arcangelo Corelli and William Boyce, and concertos by G.F. Handel and Antonio Vivaldi.
All Angels’ Church, NYC (map)
Teaming up with the emerging artists of dell’Arte Opera Ensemble, the Sebastians will be providing music for this production of Monteverdi’s passionate, intriguing opera.
The East Thirteenth Street Theatre, NYC (map)
Teaming up with the emerging artists of dell’Arte Opera Ensemble, the Sebastians will be providing music for this production of Monteverdi’s passionate, intriguing opera.
The East Thirteenth Street Theatre, NYC (map)
Teaming up with the emerging artists of dell’Arte Opera Ensemble, the Sebastians will be providing music for this production of Monteverdi’s passionate, intriguing opera.
The East Thirteenth Street Theatre, NYC (map)
Teaming up with the emerging artists of dell’Arte Opera Ensemble, the Sebastians will be providing music for this production of Monteverdi’s passionate, intriguing opera.
The East Thirteenth Street Theatre, NYC (map)
A concert of early Italian music featuring Amaranta Viera, Briana Sakamoto, and Nacole Palmer, singers, with Daniel S. Lee, Dongmyung Ahn, John Lenti, and Jeffrey Grossman of the Sebastians.
The East Thirteenth Street Theatre, NYC (map)
Teaming up with the emerging artists of dell’Arte Opera Ensemble, the Sebastians will be providing music for this production of Monteverdi’s passionate, intriguing opera.
The East Thirteenth Street Theatre, NYC (map)
Teaming up with the emerging artists of dell’Arte Opera Ensemble, the Sebastians will be providing music for this production of Monteverdi’s passionate, intriguing opera.
The East Thirteenth Street Theatre, NYC (map)
From the House of Atreus to the Palace of Nero
Broad Street Ballroom, NYC (map)
Sonatas by Biber, Corelli, and Bach
All Angels’ Church, NYC (map)
Daniel S. Lee and Dongmyung Ahn, baroque violins; Ezra Seltzer, baroque cello; Christa Patton, baroque harp, and Daniel Swenberg, lute.
All Angels’ Church, NYC (map)
Symphonies by CPE Bach, Haydn, and Mozart
The Liederkranz Club, NYC (map)
Symphonies by CPE Bach, Haydn, and Mozart
Pequot Library, Southport, CT (map)
Corpus Christi Church, NYC (map)
Trio sonatas by Corelli, Couperin, and Telemann
Manchester, CT (map)
Concertos and Suites of the HIgh Baroque
All Angels’ Church, NYC (map)
All Angels’ Church, NYC (map)
All Angels’ Church, NYC (map)
Pequot Library, Southport, CT (map)
Trinity Wall Street, NYC (map)
Daniel S. Lee, violin; Priscilla Herreid, oboe and recorder; Ezra Seltzer, cello; and Jeffrey Grossman, harpsichord perform stylus fantasticus music from 17th-century Italy and High Baroque music from 18th-century Germany.
La Grua Center, Stonington, CT
Manchester, CT
with Ryland Angel, countertenor
Featuring commissions by Gregory Spears, Julian Wachner, and Malcolm Archer, with Vivaldi’s Stabat Mater and instrumental music by by Castello, Rosenmüller, and Biber.
Ryland Angel, countertenor
James Kennerley, organ
the Sebastians
Daniel S. Lee, baroque violin
Dongmyung Ahn, baroque violin
Kyle Miller, baroque viola
Ezra Seltzer, baroque cello
Wen Yang, violone and viola da gamba
Jeffrey Grossman, harpsichord
Trinity Wall Street, NYC (map)
Collinsville Congregational Church, Collinsville, CT (map)
Spring Glen Congregational Church, Hamden, CT (map)
Hunter College, NYC
Vivaldi and his Friends
Four concerti by Antonio Vivaldi with selections by Guiseppe Antonio Brescianello, Arcangelo Corelli, and Francesco Durante
Pequot Library, Southport, CT (map)
Harkness Chapel, New London, CT
Manchester, CT
Douglas Dunn Studios, NYC