
Explore our full concert calendar below, or visit our season page for details about our NYC Concert Series.

Explore our full concert calendar below, or visit our season page for details about our NYC Concert Series.
Concertos were the blockbuster hits of the Baroque—brilliant and colorful musical conversations. Take a grand tour of baroque Europe without leaving your seat, from Handel’s dramatic elegance in London to Pierre-Gabriel Buffardin’s virtuosity in Dresden and beyond, our season premiere follows the concerto across the continent, with each composer bringing a distinctive national voice to the genre. Featuring baroque flute and string orchestra, these works showcase the remarkable variety and imagination that made the concerto one of the eighteenth century’s most exciting musical forms.
The Sanctuary of Brick Presbyterian Church
1144 Park Avenue (map)
As Halloween approaches…
Morris Museum (map)
In honor of Halloween, the Sebastians explore the darker side of the Baroque. From Bach’s dramatic D minor Toccata and Fugue and Tartini’s legendary Devil’s Trill Sonata to musical portraits, storms, ghosts, and follies, this program uncovers the strange and theatrical imagination of the eighteenth century—a world where virtuosity, mystery, and storytelling meet.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Following our acclaimed one-voice-per-part performance of Bach’s Mass in B minor, the Sebastians return to the music at the heart of Bach’s career: the church cantata. Featuring two of his most beloved masterpieces—Wachet auf, ruft uns die Stimme (BWV 140) and Ein feste Burg ist unser Gott (BWV 80)—this program offers a rare chance to hear Bach’s sacred music with the transparency, intimacy, and expressive power of four individual voices, creating a sound world remarkably close to what Bach himself likely heard in Leipzig.
The Sanctuary of Brick Presbyterian Church
1144 Park Avenue (map)
Three violins, endless possibilities. Joined by renowned violinist and Juilliard Historical Performance director Robert Mealy, the Sebastians explore the astonishing creativity of seventeenth-century composers including Schmelzer, Gabrieli, Purcell, Buonamente, and Pachelbel. From dazzling virtuosity to richly woven counterpoint, these rarely heard works reveal the violin at its most inventive and expressive.
Saint Ignatius of Antioch Episcopal Church
552 West End Ave. (map)
Celebrate spring with an afternoon of music inspired by renewal, beauty, and the natural world. Recorder virtuoso Daphna Mor returns to the Sebastians for sparkling works including Sammartini’s Recorder Concerto and Vivaldi’s beloved “Spring” from The Four Seasons, alongside the New York premiere of Dai Fujikura’s Drift Current for solo harpsichord.
The Sanctuary of Brick Presbyterian Church
1144 Park Avenue (map)
Including Sammartini’s Recorder Concerto, “Spring” from Vivaldi’s Four Seasons, and more. The concert will be followed by a reception to meet the artists.
Community Presbyterian Church, Ringwood, NJ (map)
Baroque music knew no borders. Couperin looked to Italy while perfecting the French dance suite; Bach looked to France while creating music that feels unmistakably his own. In a celebration of the 300th anniversary of Couperin’s Les Nations (1726), this program pairs selections from his elegant fusion of European traditions with Bach’s own irresistible dance music. Joined by Julia Bengtsson and the New York Baroque Dance Company, the Sebastians bring these international influences to life, revealing how movement, rhythm, and style united an entire musical continent.
Saint Peter’s Church
619 Lexington Avenue (at 54th St.), NYC (map)
Over the Alps traces the remarkable migration and transformation of Italian musical style as it spread northward through Europe in the 17th and 18th centuries. We begin in Italy, where composers like Castello, Frescobaldi, and Corelli forged a new language of expressive sonatas—music full of rhetorical gestures, improvisatory freedom, and emotional immediacy. These innovations captivated musicians across the Alps, particularly in Austria and southern Germany, where figures like Biber absorbed the Italian idiom and fused it with local traditions of counterpoint and affect.
Christ Church Episcopal, Cooperstown, NY
The Sebastians return to the Princeton Festival for two of Bach’s greatest chorale cantatas, BWV 80 “Wachet auf, ruft uns die Stimme” and BWV 80 “Ein feste Burg ist unser Gott.” Featuring Clara Rottsolk, soprano; Clara Osowski, alto; James Reese, tenor; Paul Max Tipton, bass.
Trinity Church, Princeton (map)
Baroque meets brand new. From the timeless elegance of Bach’s Goldberg Variations to the sparkling virtuosity of Vivaldi and Corelli, this concert journeys through the best of the baroque—and lands in the 21st century. Hear how today’s composers respond to the past, creating bold new works for gut strings, harpsichord, and baroque bows that blur the lines between then and now.
The Chapel of Brick Presbyterian Church
1144 Park Avenue (map)
J.S. Bach’s Mass in B minor is one of the greatest achievements in all of Western music—monumental in scope, profound in expression, and endlessly inspiring. For our biggest concert of the year, we bring together over thirty exceptional musicians, including a handpicked roster of star vocalists singing one to a part, and an orchestra of leading period-instrument specialists. Experience the Mass as Bach imagined it: intimate, powerful, and alive with detail—performed with the clarity, nuance, and passion this music deserves.
Saint Peter’s Church
619 Lexington Avenue (at 54th St.), NYC (map)
Celebrate 15 years of Music in the Somerset Hills with a transcendent performance of J.S. Bach’s Mass in B minor—one of the most profound masterpieces in the choral canon. Featuring the Somerset Hills Chorus, Harmonium Singers, world class baroque soloists, and period-instrument ensemble The Sebastians, this monumental work is a testament to the enduring power of music to inspire, uplift, and unite. Join us for a landmark evening that honors our past and looks boldly to the future. Stephen Sands, conductor.
St Mary’s Abbey, Morristown, NJ (map)
The Sebastians join the Princeton University Chamber choir for J.S. Bach’s St. Matthew Passion with Gabriel Crouch, conductor; Julian Gregory, Evangelist; and Kevin Deas, Jesus. Recording available online.
Princeton, NJ
For the first time in our history, we’re performing all six of J.S. Bach’s Brandenburg Concertos in a single concert! These iconic works—each dazzlingly different in color, character, and instrumentation—show Bach at his most joyful, inventive, and bold. From hunting horns and harpsichord fireworks to shimmering strings and virtuosic winds, this is a rare chance to hear the full set brought to life in one thrilling sweep.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Join WWFM for a live concert broadcast March 9 at 7 pm at Trinity Church Princeton, 33 Mercer Street. In honor of Bach Month, Rob Kapilow and the Sebastians perform an audience favorite, J.S. Bach’s Double Violin Concerto in D minor. The event is free and seating is on a first-come basis, so arrive early for a splendid evening in honor of the great master, or listen live on the radio or on the web.
Trinity Church, Princeton, NJ
Over the Alps traces the remarkable migration and transformation of Italian musical style as it spread northward through Europe in the 17th and 18th centuries. We begin in Italy, where composers like Castello, Frescobaldi, and Corelli forged a new language of expressive sonatas—music full of rhetorical gestures, improvisatory freedom, and emotional immediacy. These innovations captivated musicians across the Alps, particularly in Austria and southern Germany, where figures like Biber absorbed the Italian idiom and fused it with local traditions of counterpoint and affect.
Northbrook Presbyterian Church (map)
St. Andrew’s Episcopal Church, Ann Arbor (map)
The Westminster Choir (Donald Nally, conductor) presents a luminous evening of early Baroque masterworks, featuring music by Heinrich Schütz, Johann Pachelbel, Dieterich Buxtehude, and Johann Schelle. Through vibrant choral textures and expressive interpretation, this program brings to life a repertoire that laid the foundation for the great sacred traditions to come, featuring musicians from the Sebastians.
Nassau Presbyterian Church, Princeton, NJ
The Presbyterian Church of Chestnut Hill, Philadelphia, PA
George Frideric Handel’s London was alive with musical innovation, shaped by his own genius and a rich circle of baroque composers, blending Italian brilliance with English tradition. This program explores the vibrant soundscape of 18th-century London—from Boyce’s stately elegance to Geminiani’s fiery virtuosity and Pepusch’s theatrical flair—alongside projections evoking London’s historic architecture.
Manchester, CT (map)
George Frideric Handel’s London was alive with musical innovation, shaped by his own genius and a rich circle of baroque composers, blending Italian brilliance with English tradition. This program explores the vibrant soundscape of 18th-century London—from Boyce’s stately elegance to Geminiani’s fiery virtuosity and Pepusch’s theatrical flair—alongside projections evoking London’s historic architecture.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
George Frideric Handel’s London was alive with musical innovation, shaped by his own genius and a rich circle of baroque composers, blending Italian brilliance with English tradition. This program explores the vibrant soundscape of 18th-century London—from Boyce’s stately elegance to Geminiani’s fiery virtuosity and Pepusch’s theatrical flair—alongside projections evoking London’s historic architecture.
Harrisburg, PA
Enter into the devastatingly sumptuous world of the Italian cantata. Soprano Lucy Fitz Gibbon (“dazzling, breathtaking”) brings the tragic tales of Lucretia and Armida to life through soaring works by Montéclair and Handel. Interspersed with sonatas by Corelli, Handel, and Castello, this program explores what happens when women fall—whether into shame, madness, or vengeance—and how, through music, their voices rise again.
Benjamin Franklin Hall, Philadelphia, PA
Enter into the devastatingly sumptuous world of the Italian cantata. Soprano Lucy Fitz Gibbon (“dazzling, breathtaking”) brings the tragic tales of Lucretia and Armida to life through soaring works by Montéclair and Handel. Interspersed with sonatas by Corelli, Handel, and Castello, this program explores what happens when women fall—whether into shame, madness, or vengeance—and how, through music, their voices rise again.
The Chapel of Brick Presbyterian Church
1144 Park Avenue (map)
Before Bach, a generation of German composers was creating music of startling depth, richness, and beauty—music that rarely makes it to the stage today. Featuring works by Rosenmüller, Biber, Schmelzer, and Erlebach, this concert dives into the darker, sweeter side of the baroque, where glorious five-part string textures shine with clarity and warmth. Presented alongside handmade works by NYC-based fiber artists, the program draws connections between sound and textile—each a world of interwoven lines, depth, and ornament.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Before Bach, a generation of German composers was creating music of startling depth, richness, and beauty—music that rarely makes it to the stage today. Featuring works by Rosenmüller, Biber, Schmelzer, and Erlebach, this concert dives into the darker, sweeter side of the baroque, where glorious five-part string textures shine with clarity and warmth. Presented alongside handmade works by NYC-based fiber artists, the program draws connections between sound and textile—each a world of interwoven lines, depth, and ornament.
Clinton, NY
Early music ensemble The Sebastians returns to the Princeton Festival with another stellar program in beautiful Trinity Church, featuring works by Corelli, Telemann, Vivaldi, Galuppi, and Handel.
Trinity Church, Princeton (map)
That’s right, we’re taking a break from our namesake… for one concert! Join us for this exhilarating finale showcasing the brilliance of the concerto grosso. Before there were Brandenburgs, Corelli and Vivaldi dazzled audiences with the vibrant energy and intricate interplay of these masterworks, brought to life here by over a dozen baroque specialists.
The Sanctuary of Brick Presbyterian Church
1144 Park Avenue (map)
The Sebastians are thrilled to partner with with Concert Theatre Works and Chatham Baroque to present the world premiere of Bach’s long-lost St. Mark Passion, as reconstructed by musicologist Malcolm Bruno. Featuring music direction by Jeffrey Grossman, stage direction by Bill Barclay, and an ensemble of fourteen players and four singers with iconic actor Joseph Marcell (Royal Shakespeare Company, The Fresh Prince of Bel-Air) as the Evangelist, this once-in-a-lifetime theatrical event is not to be missed.
Corpus Christi Church
529 W 121st St, NYC
The Sebastians are thrilled to partner with with Concert Theatre Works and Chatham Baroque to present the world premiere of Bach’s long-lost St. Mark Passion, as reconstructed by musicologist Malcolm Bruno. Featuring music direction by Jeffrey Grossman, stage direction by Bill Barclay, and an ensemble of fourteen players and four singers with iconic actor Joseph Marcell (Royal Shakespeare Company, The Fresh Prince of Bel-Air) as the Evangelist, this once-in-a-lifetime theatrical event is not to be missed.
Carnegie Music Hall, Oakland, PA (map)
St. Luke in the Fields
487 Hudson Street, NYC
Founding and Artistic Directors Daniel Lee and Jeffrey Grossman, along with Tony Award nominee Gabby Beans present a captivating program that intertwines the elegance of Bach’s violin and harpsichord sonatas with the timeless beauty of Shakespearean sonnets. Showcasing these works together highlights their striking similarities: emotional depth, refined craftsmanship, and exquisite balance.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Founding and Artistic Directors Daniel Lee and Jeffrey Grossman present a captivating program featuring the elegance of Bach’s violin and harpsichord sonatas.
Morse Recital Hall in Sprague Hall, New Haven, CT
Get in the holiday spirit with The Sebastians, the acclaimed New York early music ensemble with Michigan native harpsichordist Jeffrey Grossman, making their CM Detroit début with a spirited program of joyful Baroque works. Celebrate the season with Handel, Corelli, and others, and be swept away by Vivaldi’s infectious La Folia.
Seligman Performing Arts Center, Beverly Hills, MI (map)
Our MAPC début features a spirited celebration of the “trio” sonata of two violins, cello, and harpsichord. This joyful program showcases the unique dynamism of the Baroque through the eloquent melodies of Handel, the complex counterpoint of Bach, and the harmonic richness of Corelli, alongside a newly-commissioned trio sonata by Karl Hinze.
Madison Avenue Presbyterian Church
921 Madison Ave. (map)
Our MAPC début features a spirited celebration of the “trio” sonata of two violins, cello, and harpsichord. This joyful program showcases the unique dynamism of the Baroque through the eloquent melodies of Handel, the complex counterpoint of Bach, and the harmonic richness of Corelli, alongside a newly-commissioned trio sonata by Karl Hinze.
1731 Series
Jamesport Meeting House, Long Island (map)
Gut strings and woodwinds and haprsichord, oh my! This colorful program of virtuosic German baroque concerti includes Telemann’s delightful concerto for flute and recorder and Pisendel’s finger-twisting violin concerto, culminating in Bach’s spectacular Brandenburg Concerto no. 4.
Union College, Memorial Chapel, Schenectady, NY (map)
Gut strings and woodwinds and haprsichord, oh my! This colorful program of virtuosic German baroque concerti includes Telemann’s delightful concerto for flute and recorder and Pisendel’s finger-twisting violin concerto, culminating in Bach’s spectacular Brandenburg Concerto no. 4.
Saint Ignatius of Antioch Episcopal Church
552 West End Ave. (map)
The Sebastians’ core quartet paints a picture of Bach’s immense sphere of influence in this program featuring works by his friend Telemann, his student Goldberg, his son Carl Philipp Emanuel, and his contemporary Vivaldi—plus a glimpse of Bach’s enduring impact through a new commission by Patricia Van Ness.
Emory University, Atlanta (map)
The Sebastians’ core quartet paints a picture of Bach’s immense sphere of influence in this program featuring works by his friend Telemann, his student Goldberg, his son Carl Philipp Emanuel, and his contemporary Vivaldi—plus a glimpse of Bach’s enduring impact through a new commission by Patricia Van Ness.
The Chapel of Brick Presbyterian Church
1144 Park Avenue (map)
Acclaimed baroque ensemble The Sebastians returns for its third Princeton Festival appearance with an exciting program featuring three of J.S. Bach’s beloved “Brandenburg” concerti along with classic works by Telemann and Vivaldi.
Trinity Church, Princeton (map)
Mimi Solomon and Nicholas DiEugenio, co-artistic directors, host the Sebastians’ core quartet for a weekend of side-by-side rehearsals and a combined performance of Corelli&rsquo’s Concerto grosso, op. 6, no. 4 and Vivaldi’s Concerto for two cellos in G minor.
Chapel Hill, NC
Last season, our largest ever group of strings recreated the official string band for France’s court at Versailles—for our 2023–24 finale, this smashing orchestra reunites in a new program celebrating the influence of Lully’s 24 Violons du Roy on German and Italian music, through works by Muffat and Corelli.
The Sanctuary of Brick Presbyterian Church
1144 Park Avenue (map)
The Sebastians’ longstanding relationship continues with Henry Purcell’s Dido & Aeneas. Stephen Sands, the Artistic Director of Music in the Somerset Hills, conducts the Somerset Hills Chorus and The Lotus Project, alongside the Sebastians and professional soloists Emily Skilling, Dido and Sorceress; Christopher Dylan Herbert, Aeneas; Kristin Sands, Belinda and First Witch; and Alicia Brozovich, Second Woman and Witch.
St Mary’s Abbey, Morristown, NJ (map)
This uniquely conceived recital—set amongst the stunning stained glass of Brick Chapel—interweaves the keyboard music of Jean-Philippe Rameau with violin sonatas of Arcangelo Corelli, continuing the “conversation” between Italian and French baroque styles.
The Chapel of Brick Presbyterian Church
1144 Park Avenue (map)
This exquisite weekend features two intimate performances spanning the complete J.S. Bach for solo violin, performed by Nicholas DiEugenio. Daniel Lee and Jeffrey Grossman provide complementary works exploring the Italian and French sides of Bach’s musical personality.
Bach’s Partitas à la fran&cceil;aise
Saint Ignatius of Antioch Episcopal Church
552 West End Ave. (map)
This exquisite weekend features two intimate performances spanning the complete J.S. Bach for solo violin, performed by Nicholas DiEugenio. Daniel Lee and Jeffrey Grossman provide complementary works exploring the Italian and French sides of Bach’s musical personality.
Bach’s Sonatas all’italienne
Saint Ignatius of Antioch Episcopal Church
552 West End Ave. (map)
In person tickets for this concert are sold out. You may come to the box office in person to join a wait list for cancellations.
Vivaldi’s beloved concerti brought to life by four stunning soloists: Nicholas DiEugenio, Daniel Lee, Isabelle Seula Lee, and Beth Wenstrom. On display at the performance will be contemporary photography evoking the seasons by four NYC-based photographers.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
The Sebastians return to New Jersey to continue their collaboration with Music in the Somerset Hills, with this house concert featuring Vivaldi’s colorful Four Seasons violin concerto, in a chamber version spotlighting four spectacular solo violinists.
The Mansion at Natirar, Peapack and Gladstone, NJ
The Sebastians’ directors Daniel Lee and Jeffrey Grossman perform violin sonatas by Arcangelo Corelli interspersed with works for solo harpsichord by Jean-Philippe Rameau.
Morse Recital Hall in Sprague Hall, New Haven, CT
This luscious French concert features the eight singers of the Yale Voxtet and the Sebastians’ core quartet of two violins, cello, and harpsichord, plus recorders, oboes, viola, violone, and theorbo. The program centers around Charpentier’s La Couronne de fleurs.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
The Sebastians join the eight graduate singers of the Yale Voxtet for a program featuring Marc-Antoine Charpentier’s La Couronne de fleurs, Henry Purcell’s Ye tuneful Muses, Z. 344, and Petits motets by Jean-Baptiste Lully.
Morse Recital Hall in Sprague Hall, New Haven, CT (map)
Arcangelo Corelli’s hard-earned fame meant he would influence generations of musicians to come. In this original program of music and scenes, the Sebastians core quartet will be joined by two actors in the intimate Alchemical Studios for a dramatic exploration of what it means to want it all.
Alchemical Studios
50 West 17th Street, 12th floor (map)
Due to scheduling conflicts, the University of Delaware sadly had to cancel this residency and performance. The Sebastians present ”Virtuosity, Fame, Madness,“ featuring music by violin virtuoso Arcangelo Corelli, his predecessor Lelio Colista, and successors Handel, Jacquet de La Guerre, Handel, and Vivaldi.
University of Delaware, Newark, DE (map)
Due to scheduling conflicts, the University of Delaware sadly had to cancel this residency and performance. The Sebastians join the musicians of the University of Delaware for masterclasses.
University of Delaware, Newark, DE (map)
Join the Sebastians for the season finale of the Gretna Music Festival, featuring a vivacious concert of Brandenburg Concerti 3, 4, and 6, along with Vivaldi’s vibrant concerto for two cellos and a concerto grosso by Handel—performed by an amazing ensemble of period instruments in the Mount Gretna Playhouse.
Mt. Gretna Playhouse, Mount Gretna, PA (map)
The Sebastians are back in full force! This sparkling season premiere features soaring solos for cello, harpsichord, violin, flute, and more in grand concerti by Bach, Handel, and Vivaldi.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Avaloch Farm Music Institute provides a unique opportunity for musicians to have the time and space to work intensively on repertoire, prepare for recordings, concerts or competitions, work with composers on commissions, and forge or reconnect to a group musical identity. Directors Jeffrey Grossman, Daniel Lee, and Karl Hinze worked intensively on the upcoming season, including choosing repertoire, rehearsing, and creating publicity materials, and Karl worked on a piece he is writing for the core quartet.
16 Hardy Lane, Boscawen, NH
The Sebastians present Vivaldi’s most famous concerti, played for four stunning soloists and chamber orchestra, alongside Bach’s Harpsichord Concerto in D major, Telemann’s Concerto no. 1 for four violins alone, and Vivaldi’s La Folia, in the Sebastians’ signature style.
Trinity Church, Princeton (map)
For our Tenth Anniversary Season Finale we present a special performance of Bach’s Mass in G major, BWV 236 with four exquisite solo singers. Works by Bach’s contemporaries will be woven through the movements of the mass, in a fitting celebratory cap to the season that has explored baroque music and Bach’s influence across so many times and places.
Madison Avenue Presbyterian Church
921 Madison Ave. (map)
Our second interdisciplinary recital this year features Jeffrey Grossman and Daniel Lee performing the music of Bach and his contemporaries against live oil painting by visual artist Kristina Libby.
The Chapel of Brick Presbyterian Church
1144 Park Avenue (map)
The “24 Violins” was the official string band for France’s court at Versailles. It was so alluring that the British court copied its five-part structure almost immediately. We have gathered our largest ever group of strings to try to reimagine the sound of this magnificent ensemble, performing music by Jean-Baptiste Lully, who was famous as Louis XIV’s maître de musique, alongside Bach’s French Overture.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
The Sebastians’ directors Daniel Lee and Jeffrey Grossman are joined by contemporary dancer Steven Vilsaint to interpret and explore Bach’s violin and harpsichord sonatas together. Steven’s style of contemporary, Haitian folklore, ballroom, popping, locking, and break dancing shows baroque music in a completely new light.
Morse Recital Hall in Sprague Hall, New Haven, CT
Two interdisciplinary recitals this year highlight the music of Bach—for Bach in Motion, we’ve invited a special guest dancer (more soon!) to join directors Daniel Lee and Jeffrey Grossman as they interpret and explore Bach’s violin and harpsichord sonatas together.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Join core musicians Nicholas DiEugenio and Jeffrey Grossman in New York City’s historic Brick Church (est. 1768) for an intimate recital centered around the violin and its Italian roots.
The Chapel of Brick Presbyterian Church
62 E. 92nd St. (map)
The Sebastians make their Capital Region Classical déubt in a program featuring Bach’s joyful Cantata 51, Jauchzet Gott, dem in allen Landen and Handel’s Notte placida e cheta, with a trio sonata by Corelli, Telemann’s cello sonata, and Vivaldi’s La Folia.
Union College, Memorial Chapel, Schenectady, NY (map)
This encore performance of Bach’s Cantata 51 reunites the Sebastians with beloved Dutch-American soprano Katharine Dain, recent winner of the 2021 Edison Award, for a program featuring trumpet soloist Steven Marquardt and strings. The evening includes music by Corelli, Handel, and Telemann, closing with the Sebastians’ signature rendition of Vivaldi’s Folia.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Time travel with us in a thrilling, rhythmic concert conceived with the award-winning modern percussion/cello duo New Morse Code. We’ll be interweaving baroque music from the stylus fantasticus—the new music of the seventeenth century—with new music of the twentieth and twenty-first centuries.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Our season premiere concert is a celebration of the concerto—flashy, funky, and fun. Come hear a large assortment of soloists shine in this dazzling program featuring two Brandenburg concerti by our namesake, J.S. Bach, and quirky concerti by by Pisendel and W.F. Bach.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Festival Director Gregory Jon Geehern conducts the Princeton Festival Chorus and the Sebastians in J.S. Bach’s Cantata, Wer ich selbst erhöhet, der soll erniedriget werden, BWV 47, and Handel’s anthem, O Praise the Lord with One Consent, HWV 254.
Trinity Church, Princeton (map)
Join the Sebastians for an exciting program of concerti—Bach’s Harpsichord Concerto in A major, Pisendel’s Violin Concerto in G minor, Handel’s colorful Concerto grosso in Bb major, op. 3, no. 2, and Vivaldi’s sparkling Concerto in G minor, RV 107 for recorder, oboe, violin, bassoon, and continuo. The concert opens with Brescianello’s Chaconne in A major.
Trinity Church, Princeton (map)
We’ve waited two years to bring you this exquisite collaboration between the Sebastians and choreographer Christopher Caines—enjoy the most beautiful movement and music together, with newly commissioned choreography by Christopher Caines Dance and dance suites by Bach.
Good Shepherd-Faith Presbyterian Church, NYC (map)
We’ve waited two years to bring you this exquisite collaboration between the Sebastians and choreographer Christopher Caines—enjoy the most beautiful movement and music together, with newly commissioned choreography by Christopher Caines Dance in dance suites by Bach.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
The “sparkling, radiant” Dutch-American soprano Katharine Dain returns in repertoire celebrating the delicious sound of the French baroque.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
An intimate recital featuring founding director Daniel Lee and artistic director Jeffrey Grossman.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
This concert celebrates the 400th birthday of Jean de La Fontaine, the French poet best known for his fables, and all art that evokes a story—music and spoken text that tells a story, or even just reminds us of the magic of storytelling. Featuring poetry and stories intermixed with music by Telemann, Couperin, Rebel, and others.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Join us for a feast for the eyes and ears! Our return to the stage, featuring German music and a new German harpsichord by John Phillips, will be accompanied by improvised live painting. Music by Meder, Handel, of course our namesake, J.S. Bach, and a sonata by his older brother, Johann Jacob Bach.
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Our season finale included Bach’s Brandenburg Concerto no. 5; C.P.E. Bach’s Quartet in A minor for flute, viola, cello, and harpsichord; Porpora’s Sinfonia da camera, op. 2, no. 6; and Vivaldi’s Overture to Part 2 of La Senna festeggiante. Filmed by Four/Ten Media.
While performing concerts for in-person audiences wasn’t possible this year, we instead debuted a free donor-supported Virtual Season, including the release of 30+ videos and three newly-recorded virtual concerts.
This concert was postponed as a result of the COVID-19 pandemic and has been rescheduled for May 2022. Learn more about the rescheduled performances. This exquisite collaboration between the Sebastians and choreographer Christopher Caines will take your breath away—enjoy the most beautiful movement and music together, with the Christopher Caines Dance Company in dance suites by Bach and his French contemporaries
Good Shepherd-Faith Presbyterian Church, NYC (map)
This concert was postponed as a result of the COVID-19 pandemic and has been rescheduled for May 2022. Learn more about the rescheduled performances. This exquisite collaboration between the Sebastians and choreographer Christopher Caines will take your breath away—enjoy the most beautiful movement and music together, with the Christopher Caines Dance Company in dance suites by Bach and his French contemporaries
Good Shepherd-Faith Presbyterian Church, NYC (map)
This concert was sadly cancelled as a result of the COVID-19 pandemic. Sip a glass of wine while enjoying the core Sebastians quartet and the violoncello da spalla in the intimate Tenri Cultural Institute
Tenri Cultural Institute (map)
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
The “sparkling, radiant” Dutch-American soprano Katharine Dain and trumpeter Steven Marquardt (“powerful… elegant… glorious”) join the Sebastians in Bach’s Cantata 51
7 South St., Collinsville, CT (map)
The Sebastians return to New Jersey to continue their collaboration with Music in the Somerset Hills. Stephen Sands, the Artistic Director of Music in the Somerset Hills, conducts the Somerset Hills Community Chorus and the Drew University Choir, alongside professional soloists and the Sebastians, in Handel’s beloved Messiah. On December 6 (at Presbyterian Church in Morristown) and December 7 (at Drew University Concert Hall)
The Presbyterian Church, Morristown, NJ (map)
Drew University Concert Hall, Dorothy Young Center for the Arts, Madison, NJ (map)
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Good Shepherd-Faith Presbyterian Church
152 West 66th St. (map)
Arthur Haas and Jeffrey Grossman go head-to-head with the Sebastians strings in a thrilling concert for two harpsichords and fourteen hands
Good Shepherd-Faith Presbyterian Church, NYC (map)
Studio One, Alchemical Studios
104 West 14th St. (map)
Directors Daniel Lee and Jeffrey Grossman perform music of the 17th and early 18th centuries. Repertoire includes Castello’s Sonata no. 1, Fontana’s Sonata no. 5, Uccellini’s Sonata no. 10, Leoni’s Sonata no. 1, Corelli’s Sonata no. 3, and Frescobaldi’s Cento partite. Daniel Lee plays violin and makes his New Haven début on the violoncello da spalla.
Morse Recital Hall in Sprague Hall, New Haven, CT
1 violin, 2 violins, 3 violins, 4 violins… This concert celebrates the virtuosity and variety of the violin, from solo sonatas all the way to concerti grossi.
Good Shepherd-Faith Presbyterian Church, NYC (map)
The performance hall at the Yale Collection seats only 96–100 people. The concert will also be live-streamed.
Yale Collection of Musical Instruments, New Haven (map)
The Sebastians perform with New Jersey’s Harmonium Choral Society, with Anne Matlack, conductor, and featuring Dann Coakwell as Evangelist.
St. Mary’s Abbey, Morristown, NJ (map)
In 2019, the Sebastians and Tenet Vocal Artists are teaming up again to present Bach’s even more stunning St. Matthew Passion, which features two orchestras and two group of vocal soloists! This unconducted performance features an exceptional orchestra and cast of singers, and it is truly the highlight of our season—a MUST-SEE for all New York music-lovers. Jeffrey Grossman will lead the two ensembles from the chamber organ with tenor Aaron Sheehan as the Evangelist and Tyler Duncan as Jesus. Daniel S. Lee leads the first orchestra and Nicholas DiEugenio the second, for a special experience: the St. Matthew Passion as chamber music.
St. Peter’s Episcopal Church, Chelsea (map)
In 2019, the Sebastians and Tenet Vocal Artists are teaming up again to present Bach’s even more stunning St. Matthew Passion, which features two orchestras and two group of vocal soloists! This unconducted performance features an exceptional orchestra and cast of singers, and it is truly the highlight of our season—a MUST-SEE for all New York music-lovers. Jeffrey Grossman will lead the two ensembles from the chamber organ with tenor Aaron Sheehan as the Evangelist and Tyler Duncan as Jesus. Daniel S. Lee leads the first orchestra and Nicholas DiEugenio the second, for a special experience: the St. Matthew Passion as chamber music.
St. Peter’s Episcopal Church, Chelsea (map)
Nicholas DiEugenio and Jeffrey Grossman present J.S. Bach’s two sonatas and fugue for violin and continuo, surrounded by works by Bach’s contemporaries. Often overlooked by performers, the two sonatas, gems of the chamber music repertoire, highlight multiple facets of his musical personality—sweet and joyful (the G major sonata) vs. dark and unsettled (the E minor sonata). This program is the perfect complement to the November 10 concert of Bach’s six sonatas for violin and obbligato harpsichord.
Good Shepherd-Faith Presbyterian Church, NYC (map)
The musicians of the Sebastians have long looked forward to putting their personal stamp on Handel’s beloved Messiah. For the first time ever, the Sebastians and Tenet Vocal Artists will present their unique take on the time-honored masterwork this December. With a choir of only twelve amazing vocal soloists and an orchestra of only fifteen remarkable instrumentalists, the Sebastians and Tenet highlight the majesty as well as the intimacy of Messiah. From textures as humble as a single violin, singer, and continuo, to the awe-inspiring excitement of the full ensemble—including trumpets and timpani!—Handel’s genius has never been better showcased.
St. Vincent Ferrer, NYC (map)
The musicians of the Sebastians have long looked forward to putting their personal stamp on Handel’s beloved Messiah. For the first time ever, the Sebastians and Tenet Vocal Artists will present their unique take on the time-honored masterwork this December. With a choir of only twelve amazing vocal soloists and an orchestra of only fifteen remarkable instrumentalists, the Sebastians and Tenet highlight the majesty as well as the intimacy of Messiah. From textures as humble as a single violin, singer, and continuo, to the awe-inspiring excitement of the full ensemble—including trumpets and timpani!—Handel’s genius has never been better showcased.
St. Vincent Ferrer, NYC (map)
Directors Daniel Lee and Jeffrey Grossman perform Bach’s sonatas for violin and obbligato harpsichord nos. 1 in B minor, 3 in E major, 4 in C minor, and 6 in G major.
Morse Recital Hall in Sprague Hall, New Haven, CT
Daniel S. Lee and Jeffrey Grossman present the complete sonatas for violin and obbligato harpsichord by Johann Sebastian Bach—these six sonatas are not only finely crafted, intricate, and beautiful pieces, but represent a historically important step in the development of the keyboard in chamber music. Join us for the first classical performances offered in beautiful Harlem Parish.
Harlem Parish, NYC (map)
The Sebastians, the Collection’s ensemble-in-residence, perform works by Roman and Venetian baroque composers, as well as Couperin’s L’apothéose de Corelli, inspired by the great Roman master.
Yale Collection of Musical Instruments, New Haven (map)
Solo sonatas and trio sonatas by Venetian and Roman composers, celebrating the two most important Italian centers of baroque music
Good Shepherd-Faith Presbyterian Church, NYC (map)
The musical journey through the development of the trio sonata genre begins with sonatas and dances by Venetian composers, Dario Castello and Tarquinio Merula. After exploring trio sonatas by Roman composers including Giovanni Battista Fontana and Arcangelo Corelli, the program returns to Venice with the grand finale: Antonio Vivaldi’s La Folia.
Saint James Episcopal Church, Lancaster, PA (map)
Sensational harpist Bridget Kibbey, declared “a marvel” by The New York Times, will join forces with members of the Sebastians, an ensemble known for “elegant string playing… immaculate in tuning and balance” (Early Music Today). J.S. Bach’s monumental Toccata & Fugue in D minor will be part of their inspired program that re-imagines masterpieces of this baroque master, adapted by Kibbey for harp and early-instrument string quartet.
Stamford United Methodist Church, NY (map)
The Sebastians and Tenet are thrilled to join forces again for a transcendent concert of sublime cantatas by the German baroque composer Dieterich Buxtehude and instrumental works by his compatriots Handel, Biber, and Kerll. This stirring program is an invocation of hope, calling forth from despair and light from darkness.
Mt. Gretna Playhouse, Mount Gretna, PA (map)
A casual one hour concert with Jeffrey Grossman, harpsichord, and Daniel S. Lee, violin, followed by “Bach” beer and Fro “burgers.”
House Concert, Mount Gretna, PA
Our grand season finale juxtaposes the Italian virtuosity of Bach’s Brandenburg concerti with the French elegance of his Orchestral Suites—back to back. Rarely performed together, these magnificent works reveal two sides of Bach’s musical personality and feature an exceptional variety of instrumental colors: seductive flute, playful oboes and bassoon, majestic hunting horns, exhilarating harpsichord, and even the brilliant violino piccolo, played by our own in-house specialist, founding director Daniel S. Lee.
Good Shepherd-Faith Presbyterian Church, NYC (map)
The Sebastians and Tenet, following last season’s acclaimed St. John Passion, are thrilled to join forces again for a transcendent concert of sublime sacred cantatas by the German baroque composer Dieterich Buxtehude and instrumental works by his compatriots Handel, Biber, and Kerll. This stirring program is an invocation of spring, calling forth hope from despair and light from darkness.
St. Vincent Ferrer, NYC (map)
Sadly, this performance was cancelled due to inclement weather. The Sebastians celebrate Bach and his influence in this sparkling program including works by Corelli, Handel, Vivaldi, and the master himself.
PS 321, Brooklyn (map)
Their program of High Baroque trio sonatas explores the variety of styles used by composers of different nationalities. Built around François Couperin’s Les Nations, it includes works by Arcangelo Corelli, William Boyce, and George Frederic Handel, ending with the Sebastians signature rendition of Antonio Vivaldi’s Folia.
Congregational Church of Birmingham, Bloomfield Hills (map)
St. Andrew’s Episcopal Church, Ann Arbor (map)
Centered on François Couperin’s Les Nations, this program features works by Arcangelo Corelli, William Boyce, and George Frederic Handel, ending with the Sebastians signature rendition of Antonio Vivaldi’s Folia.
Grace Episcopal Church, Hartford, CT (map)
The Sebastians present a program of elegance, wit, and passion in a journey back in time through two of Mozart’s important artistic centers—Salzburg and Vienna.
Salzburg, the sleepy provincial city where Mozart’s father was a court violinist and Kapellmeister in the 1740-60s, was in the previous century home to two influential composers in their own right—Heinrich Ignaz Franz von Biber and Georg Muffat. Biber, regarded as one of the greatest violinists of his time, worked for most of his life in the Salzburg court and developed groundbreaking techniques in string writing. Muffat also worked as a court musician in Salzburg for ten years during his cosmopolitan career. The Sebastians top off this program with their signature rendition of the Follia by Antonio Vivaldi, who settled in Vienna in his final years. The centerpiece of this varied program is Mozart’s Concerto in A, K. 414, which will be performed by Yi-heng Yang on a fortepiano built in the style of Mozart’s own instrument, recreating the incisive and dramatic sounds of his musical language. Not only does the stylistic juxtaposition of Mozart with his baroque predecessors cast the beloved classical genius in an arresting new light, but the combined collection of composers becomes a fantastical historical journey through two of Europe’s most musical cities.
Doctorow Center for the Arts, Hunter, NY (map)
What does it mean to be a German, French, or Italian composer? In the 18th century, as national identity became more defined, composers grappled with that question, expressing their emerging national styles while also freely borrowing from others. This cosmopolitan program of Corelli, Telemann, Couperin, Muffat, Boyce, Royer, and Handel brings to life an enchanting diversity of styles.
Yale Collection of Musical Instruments, New Haven (map)
What does it mean to be a German, French, or Italian composer? In the 18th century, as national identity became more defined, composers grappled with that question, expressing their emerging national styles while also freely borrowing from others. This cosmopolitan program of Corelli, Telemann, Couperin, Muffat, Boyce, Royer, and Handel brings to life an enchanting diversity of styles.
Good Shepherd-Faith Presbyterian Church, NYC (map)
In the seventeenth and eighteenth centuries, Amsterdam was a thriving musical “port city”—one of the few places composers sent their precious manuscripts to be published, and from there, disseminated across Europe. In this concert, the Sebastians explore chamber music by Locatelli, who made Amsterdam his home, and his Italian compatriots who published there: Corelli, Mossi, Somis, Vivaldi, and Lully.
First Church of Christ, Scientist, NYC (map)
Sensational harpist Bridget Kibbey, declared “a marvel” by The New York Times, will join forces with members of the Sebastians, an ensemble known for “elegant string playing… immaculate in tuning and balance” (Early Music Today). J.S. Bach’s monumental Toccata & Fugue in D minor will be part of their inspired program that re-imagines masterpieces of this baroque master, adapted by Kibbey for harp and early-instrument string quartet.
Wave Hill, Bronx, NY (map)
As a tercentenary tribute to Mr. Handel and his Water Music, Music in the Somerset Hills is proud to present an outdoor, on the water performance of this work at the Lake Club in Far Hills on Saturday, June 24 at 8:30 PM. On a platform built out into the lake (no royal barge being available), Stephen Sands will conduct the well-known early music ensemble, the Sebastians, in performances of the Water Music and a contemporary work almost as famous, the Spring and Summer movements of Vivaldi’s Four Seasons. The rain date is Sunday, June 25. If it is raining again on Sunday, the concert will move indoors to The Pingry School in Basking Ridge. Tickets and more info.
The Lake Club, Far Hills, NJ (map)
The Sebastians return to beautiful Emanuel Lutheran Church for a sparkling program for baroque violin, flute, cello, and harpsichord, including Bach’s trio sonata from the Musical Offering and works by Bach’s contemporaries, Handel and Telemann.
Manchester, CT (map)
Following a season of grand orchestras and spectacular ensembles, we return for our season finale to chamber music, and the intimacy of the quartet—baroque violin, flute, cello, and harpsichord. This sparkling program features music by J.S. Bach and his contemporaries, Handel and Telemann, including selections from Bach’s famous Musical Offering.
Featuring, Daniel S. Lee, violin, David Ross, traverso, Ezra Seltzer, cello, and Jeffrey Grossman, harpsichord.
All Angels’ Church, NYC (map)
The crown jewel of our season: this unique concert experience promises to present Bach’s Sonatas and Partitas for Solo Violin as you’ve never heard them before. Bach’s six contrapuntal masterpieces will be presented as an installation for you to explore. Come enter “the mind of the master” with the virtuosic violinists of the Sebastians.
St. John the Divine (map)
The Sebastians and Tenet are teaming up to present J.S. Bach’s St. John Passion in an unconducted performance with an exceptional orchestra and cast of singers. This spectacular production is truly the highlight of our season, and a MUST-SEE for all New York music-lovers. Jeffrey Grossman will lead the two ensembles from the chamber organ with tenor Aaron Sheehan as the Evangelist.
St. Paul’s German Evangelical Lutheran Church, NYC (map)
The Sebastians and Tenet are teaming up to present J.S. Bach’s St. John Passion in an unconducted performance with an exceptional orchestra and cast of singers. This spectacular production is truly the highlight of our season, and a MUST-SEE for all New York music-lovers. Jeffrey Grossman will lead the two ensembles from the chamber organ with tenor Aaron Sheehan as the Evangelist.
St. Paul’s German Evangelical Lutheran Church, NYC (map)
Join us in Seattle for a concert with renowned harpist Bridget Kibbey. The New York Times declares, “It seems as though Kibbey’s instrument had been waiting for all its life to explore with the gorgeous colors and energetic figures she was getting from it.” Bridget curates a special evening of music by Johann Sebastian Bach, reinvented for the harp.
St. Michael’s Westside Church, Olympia (map)
The Sebastians return to New Jersey to continue their collaboration with Music in the Somerset Hills. Stephen Sands, the Artistic Director of Music in the Somerset Hills, conducts the Somerset Hills Community Chorus, singing alongside professional soloists, in a performance of Mozart’s last—and uncompleted—work. The beautiful and special sound of classical-era instruments replicates what Mozart would have heard, had he lived to perform the piece. The massed ensemble will perform Robert D. Levin’s modern completion of the Requiem.
The Pingry School, Basking Ridge (map)
With Louise Fauteux, soprano, Sarah Kraus, mezzo-soprano, David Vanderwal, tenor, and Edward Pleasant, baritone.
St. Theresa Church, Trumbull, CT (map)
This festive program will center on Vivaldi’s Four Seasons, paired with a newly commissioned companion work by Tawnie Olson. Olson’s unique approach to birdsong will shed new light on the changing of the seasons, and pairing Vivaldi’s concerti with this world premiere will make for one thrilling evening. The new work by Olson will be a reflection, a mirror, and a response to Vivaldi that will help to further enliven and enrich the concert experience for modern listeners.
The concert will be bookended with music by J. S. Bach, underlining the direct influence these two composers had on each other, despite never meeting.
All Angels’ Church, NYC (map)
Avaloch Farm Music Institute provides a unique opportunity for chamber music and jazz ensembles at any stage of development, to have the time and space to work intensively on repertoire, prepare for recordings, concerts or competitions, work with composers on commissions, and forge or reconnect to a group musical identity. The violinists of the Sebastians will be working on projects for the rest of the season, including our innovating program of Bach’s sonatas and partitas for solo violin.
16 Hardy Lane, Boscawen, NH
The Sebastians trace the musical evolution of the Italian style as it migrated over the mountains to the Austro-German regions. Take a musical journey with baroque violin, cello, harpsichord, and the stunning soprano Awet Andemicael. Vocal and instrumental works by Alessandro Stradella, Handel, Buxtehude, Biber, and other baroque masters. Wine and cheese reception in the Meeting House Art Gallery.
New Marlborough Village Meeting House, MA (map)
We open our season with a performance of five of J. S. Bach’s Brandenburg Concerti. While these works are widely regarded as some of the most famous orchestral compositions of the baroque period, their diverse instrumentation makes programming more than one concerto in a concert a rare occurrence.
Our trumpet soloist John Thiessen was described by The New York Times as “the gold standard of Baroque trumpet playing in this country.” We’re thrilled to have John join our ensemble of exquisite soloists, which includes Priscilla Herreid, Meg Owens, David Ross, and others.
St. Paul’s German Evangelical Lutheran Church, NYC (map)
The Chelsea Music Festival celebrates great music by bringing together world-leading musicians and exciting newcomers to the international stage in the performing, culinary and visual arts.
New York City
Paris, 1741: Join us for a magnificent salon celebrating the decadent French spirit. Selections from Couperin’s Les Nations alongside music by Lully, Rebel, Telemann, and a special concerto by J. S. Bach will take your breath away in this grand season finale.
All Angels’ Church, NYC (map)
Earthly and heavenly, natural and spiritual – sometimes the two aren’t so different. From pop songs concealed in liturgy, to opera composers moonlighting as church musicians, Trident Ensemble, and the Sebastians team up to bring you an evening of exuberant sacred music influenced by secular trends. Come celebrate the summer with music by Du Fay, Monteverdi, Lully, Corelli, and more. Thank God (or the tilt of the Earth’s rotational axis) for the warm weather!
Church of St. Mary the Virgin, NYC (map)
This intriguing double bill juxtaposes music by the dynamic young composer Andy Akiho with a set of baroque masterpieces performed by the Sebastians. The piquant counterpoint of such works as Bach’s Brandenburg Concerto No. 3, which anchors the Sebastians’ program, is echoed by the keen sense of line in Akiho’s masterful LIgNEouS for string quartet and marimba. Akiho’s music, praised by the Times as “mold-breaking” and “vital,” features a cadre of today’s finest chamber musicians.
the Sebastians
Kristin Lee, violin
Ian David Rosenbaum, percussion
Amphion String Quartet:
Katie Hyun and David Southorn, violin
Wei-Yang Andy Lin, viola
Mihai Marica, cello
St. Bartholomew’s Church, New York (map)
This intimate duo concert takes you on a musical journey through Italy, Germany, and Austria. The salon-style program includes works by Bach, Fontana, Biber, Handel, and others, and offers a wonderful opportunity to relish the subtle interplay between harpsichord and violin. (Includes wine pairings!)
St. Barnabas Episcopal Church, Greenwich, CT (map)
7 South St., Collinsville, CT (map)
The Sebastians have teamed up with baritone Michael Hix to unearth the forgotten cantatas of Christoph Graupner.
Holy Trinity Lutheran Church (map)
Sebastians artistic directors Daniel S. Lee and Jeffrey Grossman explore the rich baroque repertoire of music for violin and harpsichord.
Tulsa, OK
The Sebastians perform an exciting set of large chamber works as part of the Avaloch Farm Music Institute’s showcase at National Sawdust, Williamsburg’s newest and coolest music venue.
After an overwhelming response to its 2013 performances of Mozart’s Requiem, Seraphic Fire presents a command repeat presentation of Mozart’s signature opus. Using Gregory Spears’s post-minimalist completion of the work, commissioned by Seraphic Fire, the chorus and orchestra will once again soar in this timeless masterpiece, joined by the period players of the Sebastians.
All Saints Episcopal, Ft. Lauderdale (map)
Miami Shores Presbyterian, Miami Shores (map)
South Miami-Dade Cultural Arts Center, Cutler Bay (map)
St. Paul’s Episcopal, Washington, DC (map)
Trinity Wall Street, New York (map)
St. Clement’s Episcopal, Philadelphia (map)
The Sebastians demonstrate their passion for energetic historically-informed performance in this exploration of solo and trio sonatas by Arcangelo Corelli and his contemporaries. As the legendary Orpheus used his music as a rhetorical weapon, Corelli brought a new level of virtuosity and expression to violin playing. Corelli’s infectious harmonic and structural language took Europe by storm, but it was his older Roman compatriots, including Lelio Colista, Girolamo Frescobaldi, and Alessandro Stradella, who set the stage.
Synod Hall, Pittsburgh (map)
As the legendary Orpheus used his music as a rhetorical weapon, Arcangelo Corelli brought a new level of virtuosity and expression to violin playing. This intimate program brings you inside Corelli’s musical world via his older Roman compatriots, including Lelio Colista, Girolamo Frescobaldi, and Alessandro Stradella.
All Angels’ Church, NYC (map)
Messiah has rendered audiences speechless since its 1743 sold-out debut. Anchored by the recognizable and triumphant Hallelujah Chorus, Handel’s Messiah is a pillar of Western music—an indisputable masterpiece that must be experienced live. Patrick Dupré Quigley conducts selections from Handel’s magnum opus.
All Saints Episcopal, Fort Lauderdale (map)
Miami Shores Presbyterian, Miami Shores (map)
South Miami-Dade Cultural Arts Center, Cutler Bay (map)
Kick off the holiday season and join us for a program of baroque concertos and exquisite Renaissance madrigals, including Corelli’s Christmas Concerto, Handel’s Gloria, and works by Byrd, Guerrero, Palestrina, and more. The performers include soprano Awet Andemicael, the Sebastians, and the Trident Ensemble. Reception to follow. All proceeds benefit the Connecticut Early Music Festival.
First Congregational Church, Old Lyme, CT (map)
The stunning soprano Awet Andemicael Handel’s recently-discovered Gloria, with other music by Vivaldi, Purcell, and Corelli. The “cherry on top” is the Sebastians signature rendition of Vivaldi’s Folia.
St. Barnabas Episcopal Church, Greenwich, CT (map)
Audience favorite Awet Andemicael (“enchanting” –Brandenburger Stadtkurier; “exquisite” –Milwaukee Journal Sentinel; “completely winning” –Boston Phoenix) rejoins the Sebastians for a new program of fiery, passionate vocal and instrumental music by Bach, Handel, Vivaldi, and more.
All Angels’ Church, NYC (map)
Stephen Sands conducts the Music in the Somerset Hills chorus, Antioch Chamber Ensemble, and the Sebastians.
The Pingry School, Basking Ridge (map)
Handel’s monumental Coronation Anthems, composed in 1727 for King George II and Queen Caroline of England, bring an exciting, regal note to Seraphic Fire’s season. Continuing in the same Royal vein, Seraphic Fire will complete this program with the Florida premiere of Marc-Antoine Charpentier’s triumphant Te Deum, a masterwork of the French baroque style. The singers of Seraphic Fire will be joined by the Sebastians to perform these exquisite pieces.
All Saints Episcopal, Fort Lauderdale (map)
Miami Shores Presbyterian, Miami Shores (map)
South Miami-Dade Cultural Arts Center, Cutler Bay (map)
St. Paul’s Episcopal, Washington, DC (map)
Trinity Wall Street, New York (map)
St. Clement’s Episcopal, Philadelphia (map)
The Sebastians demonstrate their passion for energetic historically-informed performance in this exploration of solo and trio sonatas by Arcangelo Corelli and his contemporaries. As the legendary Orpheus used his music as a rhetorical weapon, Corelli brought a new level of virtuosity and expression to violin playing. Corelli’s infectious harmonic and structural language took Europe by storm, but it was his older Roman compatriots, including Lelio Colista, Girolamo Frescobaldi, and Alessandro Stradella, who set the stage.
Yale Collection of Musical Instruments, New Haven (map)
The Sebastians join the choirs of the Unitarian Church in Westport and Music on the Hill (Wilton), under Edward Thompson, conductor, for a free performance of Handel’s magnificent oratorio, Israel in Egypt.
Esteli Gomez, soprano
Virginia Warnken, soprano
Michael Wisdom, countertenor
Dann Coakwell, tenor
Norwalk Concert Hall, Norwalk, CT (map)
Seraphic Fire opens their 14th Season in a combination of contemporary and canon: a newly-commissioned work by young American composer Jake Runestad, along with Franz Schubert’s Mass in G Major, with the period instrumentalists of the Sebastians.
St. Sophia Cathedral, Miami (map)
Moorings Presbyterian, Naples (map)
St. Philip’s Episcopal, Coral Cables (map)
All Saints Episcopal, Ft. Lauderdale (map)
All Souls Episcopal, Miami Beach (map)
An evening of sumptuous music, food and ambiance with world class choral musicians and baroque instrumentalists of the Antioch Chamber Ensemble and the Sebastians. Come hear Bach’s motets Jesu, meine Freude, and Lobet den Herrn, BWV 227 and 230 in a beautiful setting, conducted by Stephen Sands.
Trump National Golf Club, Bedminster (map)
The Sebastians violinists Daniel S. Lee Nicholas DiEugenio and Alexander Woods present a dazzling display of virtuoso works for three violins and continuo. “All for one and one for all!”
All Angels’ Church, NYC (map)
Daniel S. Lee, scholar and virtuoso, wrote his doctoral dissertation on the violono piccolo. This season he leads the Sebastians in a recording of works for the diminutive instrument by Telemann, Fux, Pfeiffer, Buxtehude, and others.
New York
Sacred and secular works by Handel and Vivaldi with soprano Awet Andemicael, featuring our signature rendition of Vivaldi’s La Folia.
All Angels’ Church, NYC (map)
The Chapel at St. Bartholomew’s Episcopal Church (map)
Vivaldi’s famed Four Seasons—with violinists Daniel S. Lee, Nicholas DiEugenio, and Dongmyung Ahn—paired with the sonnets that inspired them, performed by actor Cassandra Stokes-Wylie.
Private Home in Far Hills, NJ (map)
This performance with the St. Barnabas Choir and Soloists will be conducted by J. Michael Roush.
St. Barnabas Episcopal Church, Greenwich, CT
Seraphic Fire’s Founder and Artistic Director, Patrick Dupré Quigley, takes audiences on a signature journey into the mind of Wolfgang Amadeus Mozart to discover the composer’s musical motivation in creating one of his most recognizable pieces: the Ave Verum Corpus. Drawing upon the music of Bach, Palestrina, and other Mozart predecessors, this program of discovery will allow the listener to peek behind the curtain of Mozart’s genius.
St. Sophia Cathedral, Miami (map)
St. Philip’s Episcopal, Coral Gables (map)
All Saints Episcopal, Ft. Lauderdale (map)
All Souls Episcopal, Miami Beach (map)
Biber’s Rosary Sonatas and other evocative works for violin and continuo with the Sebastians core musicians, Daniel S. Lee, Ezra Seltzer, and Jeffrey Grossman.
All Angels’ Church, NYC (map)
The Lord Nelson Mass has been lauded as “arguably Haydn’s greatest single composition,” by the master’s chief biographer. The profound majesty of this monumental work is a highlight of the Classical era and influenced, among others, the music of Mozart, Beethoven, Schubert, and Brahms. The Lord Nelson Mass will be sung by the expert voices of Seraphic Fire, and, for the first time in Florida, be performed on original Classical instruments by the Sebastians period orchestra.
Miami Shores Presbyterian, Miami Shores (map)
All Saints Episcopal, Ft. Lauderdale (map)
South Miami-Dade Cultural Arts Center, Cutler Bay (map)
Part of the Holy Trinity Mid-Winter Festival
Holy Trinity Lutheran Church (map)
Broward Center for the Performing Arts, Fort Lauderdale (map)
Trinity Cathedral, Miami (map)
South Miami-Dade Cultural Arts Center, Cutler Bay (map)
Celebrating the approaching new year with Vivaldi’s famed Four Seasons, with violinists Daniel S. Lee, Nicholas DiEugenio, and Dongmyung Ahn.
All Angels’ Church, NYC (map)
Bach Vespers of Holy Trinity and the Sebastians perform Bach’s cantata, BWV 115, “Mache dich, mein Geist, bereit,” under the direction of Donald Meineke.
Holy Trinity Lutheran Church (map)
Antonio Vivaldi: composer, virtuoso, firebrand, genius. Known as the Red Priest by his contemporaries, Vivaldi’s music has triumphed throughout the centuries, captivating audiences for over 300 years. The brilliant singers of Seraphic Fire present Vivaldi’s choral masterpiece, the Gloria, in collaboration with the Sebastians, a New York-based period orchestra praised for their “energetic, youthful, vigorous performing style” by The New York Times, and proclaimed “immaculate in tuning and balance” by Early Music Today.
U-M Maurice Gusman Concert Hall, Miami (map)
All Saints Episcopal, Ft. Lauderdale (map)
South Miami-Dade Cultural Arts Center, Cutler Bay (map)
Kicking off our third season as ensemble-in-residence at All Angels’ Church with oboist Priscilla Herreid (Piffaro) in a program featuring music by our namesake, Bach, and his contemporaries. The evening will include a trio of works by J.S. Bach—a trio sonata, a violin and continuo sonata, and the first cello suite—as well as works by Handel, Telemann, C.P.E. Bach, Rosenmüller, and Froberger.
All Angels’ Church, NYC (map)
The Sebastians join forces with Tenet and guest conductor Scott Metcalfe to offer a program of motets by J.S. Bach. Featured motets include “Komm, Jesu komm,” “Singet dem Herrn ein neues Lied,” and “Fürchte dich nicht, ich bin bei dir.”
Holy Trinity Lutheran Church (map)
Teaming up once again with the emerging artists of dell’Arte Opera Ensemble, the Sebastians are performing Purcell’s magnificent score in six performances featuring a new libretto by Christopher Caines based on Shakespeare’s Midsummer Night’s Dream.
Christopher Caines, stage director and choreographer
Jeffrey Grossman, music director
The East Thirteenth Street Theatre, NYC (map)
Teaming up once again with the emerging artists of dell’Arte Opera Ensemble, the Sebastians are performing Purcell’s magnificent score in six performances featuring a new libretto by Christopher Caines based on Shakespeare’s Midsummer Night’s Dream.
Christopher Caines, stage director and choreographer
Jeffrey Grossman, music director
The East Thirteenth Street Theatre, NYC (map)
Teaming up once again with the emerging artists of dell’Arte Opera Ensemble, the Sebastians are performing Purcell’s magnificent score in six performances featuring a new libretto by Christopher Caines based on Shakespeare’s Midsummer Night’s Dream.
Christopher Caines, stage director and choreographer
Jeffrey Grossman, music director
The East Thirteenth Street Theatre, NYC (map)
Teaming up once again with the emerging artists of dell’Arte Opera Ensemble, the Sebastians are performing Purcell’s magnificent score in six performances featuring a new libretto by Christopher Caines based on Shakespeare’s Midsummer Night’s Dream.
Christopher Caines, stage director and choreographer
Jeffrey Grossman, music director
The East Thirteenth Street Theatre, NYC (map)
Teaming up once again with the emerging artists of dell’Arte Opera Ensemble, the Sebastians are performing Purcell’s magnificent score in six performances featuring a new libretto by Christopher Caines based on Shakespeare’s Midsummer Night’s Dream.
Christopher Caines, stage director and choreographer
Jeffrey Grossman, music director
The East Thirteenth Street Theatre, NYC (map)
Teaming up once again with the emerging artists of dell’Arte Opera Ensemble, the Sebastians are performing Purcell’s magnificent score in six performances featuring a new libretto by Christopher Caines based on Shakespeare’s Midsummer Night’s Dream.
Christopher Caines, stage director and choreographer
Jeffrey Grossman, music director
The East Thirteenth Street Theatre, NYC (map)
In a concert featuring chamber and orchestral works for oboe, strings, and harpsichord, the Sebastians celebrate the 300th anniversary of Carl Philipp Emanuel Bach’s birth by juxtaposing his music with that of his father Johann Sebastian and brothers Johann Christian and Wilhelm Friedemann.
Saint Peter’s Church (map)
Jason McStoots, stage director
Jeffrey Grossman, music director
Krista River, Dido
Jesse Blumberg, Aeneas
Jolle Greenleaf, Belinda
Teresa Wakim, Second Woman
Mary Gerbi, Spirit and Sailor
Glorivy Arroyo, Sorceress
Virginia Warnken Kelsey, Second Witch
Brenna Wells, First Witch
Paul Guttry, Pluto
Evans Hall at Connecticut College (map)
Jason McStoots, stage director
Jeffrey Grossman, music director
Krista River, Dido
Jesse Blumberg, Aeneas
Jolle Greenleaf, Belinda
Teresa Wakim, Second Woman
Mary Gerbi, Spirit and Sailor
Glorivy Arroyo, Sorceress
Virginia Warnken Kelsey, Second Witch
Brenna Wells, First Witch
Paul Guttry, Pluto
Evans Hall at Connecticut College (map)
The Sebastians perform a music from Rameau’s operas, and by his contemporaries Louis-Antoine Dornel, Couperin, Corelli, and Telemann.
All Angels’ Church, NYC (map)
Commemmorating the 250th anniversary of Rameau’s death, the Sebastians perform music from Rameau’s operas, and by his contemporaries Louis-Antoine Dornel, Couperin, Mondonville, and others.
Manchester, CT (map)
Featuring works by Bach, Biber, Corelli, Fontana, Froberger, Handel, Telemann, and Vivaldi. The program will explore the emergence of the instrumental styles of 17th-century Italy and the adaptation of the Italian styles in 18th-century Austro-Germany.
Good Shepherd-Faith Presbyterian Church, NYC (map)
Instrumental works of the Italian and German baroque by Biber, Corelli, Fontana, Handel, Vivaldi, and others
Grace Episcopal Church, Hartford, CT (map)
Music by Biber, Bertoli, Uccellini, Bertali, Castello, Monteverdi, and Handel’s joyful Gloria. Featuring Awet Andemicael, soprano; Daniel S. Lee and Nicholas DiEugenio, violin; Clay Zeller-Townson, dulcian; Charles Weaver, theorbo and guitar; and Jeffrey Grossman, harpsichord and organ.
7 South St., Collinsville, CT (map)
A Holy Week performance as part of the TENEbrae Concert Series, juxtaposing Biber’s eerie sonata for the Rosary with Gregorian Chant by the singers of Tenet.
St. Ignatius of Antioch (map)
All Angels’ Church, NYC (map)
Music of Castello, Merula, Fontana, Corelli, and Vivaldi’s Folia.
Columbus, OH
Featuring:
Campbell Scott as Thomas Jefferson
Melissa Errico as Maria Cosway
Judith Hawking as the Narrator
Jessica Gould, soprano
Tony Boutté, tenor
Script and Stage Direction by Erica Gould
Jeffrey Grossman, harpsichord & leader
Igniting in Revolutionary Paris and unfolding over a 40-year epistolary relationship, the correspondence between Jefferson and Cosway brims with exquisite music and eloquent prose, as the romance between two polymaths, the Statesman-Architect and the Musician-Painter, renders a vivid picture of musical life in 18th century France and America.
The Bissel Room, Fraunces Tavern (map)
All Angels’ Church, NYC (map)
Good Shepherd-Faith Presbyterian Church, NYC (map)
Music of Henry Purcell and Benjamin Britten, in honor of the patron saint of music.
St. Luke in the Fields, NYC (map)
Evans Hall at Connecticut College (map)
Jessica Gould, soprano
José Lemos, countertenor
Jory Vinikour, harpsichord
Deborah Fox, theorbo
Script and Stage Direction by Erica Gould
Guest Actors, featuring Ethan Gregory Peck
Greek myth and Roman history refracted through the prism of the baroque, The Heirs of Tantalus weaves material from the Greek tragedies of Aeschylus and Euripides, biting commentary of the Roman historian Suetonius, and music of Monteverdi, Scarlatti and Handel into a depraved brew of hubris, blood-lust, and vengeance.
The Broad Street Ballroom (map)
Performing concerti from Vivaldi’s L’Estro Armonico alongside the newly-commissioned companion pieces by Robert Honstein, Night Scenes from the Ospedale
The Italian Academy at Columbia University (map)
Evans Hall at Connecticut College (map)
Grace Episcopal Church, Nyack, NY (map)
with Connecticut College Orchestra
with Eric Rice, musicologist
The Sebastians presented a program featuring J.S. Bach’s famed Orchestral Suite No. 3 in D Major, trio sonatas by Arcangelo Corelli and William Boyce, and concertos by G.F. Handel and Antonio Vivaldi.
All Angels’ Church, NYC (map)
Teaming up with the emerging artists of dell’Arte Opera Ensemble, the Sebastians will be providing music for this production of Monteverdi’s passionate, intriguing opera.
The East Thirteenth Street Theatre, NYC (map)
Teaming up with the emerging artists of dell’Arte Opera Ensemble, the Sebastians will be providing music for this production of Monteverdi’s passionate, intriguing opera.
The East Thirteenth Street Theatre, NYC (map)
Teaming up with the emerging artists of dell’Arte Opera Ensemble, the Sebastians will be providing music for this production of Monteverdi’s passionate, intriguing opera.
The East Thirteenth Street Theatre, NYC (map)
Teaming up with the emerging artists of dell’Arte Opera Ensemble, the Sebastians will be providing music for this production of Monteverdi’s passionate, intriguing opera.
The East Thirteenth Street Theatre, NYC (map)
A concert of early Italian music featuring Amaranta Viera, Briana Sakamoto, and Nacole Palmer, singers, with Daniel S. Lee, Dongmyung Ahn, John Lenti, and Jeffrey Grossman of the Sebastians.
The East Thirteenth Street Theatre, NYC (map)
Teaming up with the emerging artists of dell’Arte Opera Ensemble, the Sebastians will be providing music for this production of Monteverdi’s passionate, intriguing opera.
The East Thirteenth Street Theatre, NYC (map)
Teaming up with the emerging artists of dell’Arte Opera Ensemble, the Sebastians will be providing music for this production of Monteverdi’s passionate, intriguing opera.
The East Thirteenth Street Theatre, NYC (map)
Broad Street Ballroom, NYC (map)
All Angels’ Church, NYC (map)
Daniel S. Lee and Dongmyung Ahn, baroque violins; Ezra Seltzer, baroque cello; Christa Patton, baroque harp, and Daniel Swenberg, lute.
All Angels’ Church, NYC (map)
The Liederkranz Club, NYC (map)
Pequot Library, Southport, CT (map)
Corpus Christi Church, NYC (map)
Manchester, CT (map)
All Angels’ Church, NYC (map)
All Angels’ Church, NYC (map)
All Angels’ Church, NYC (map)
Pequot Library, Southport, CT (map)
Trinity Wall Street, NYC (map)
Daniel S. Lee, violin; Priscilla Herreid, oboe and recorder; Ezra Seltzer, cello; and Jeffrey Grossman, harpsichord perform stylus fantasticus music from 17th-century Italy and High Baroque music from 18th-century Germany.
La Grua Center, Stonington, CT
Featuring commissions by Gregory Spears, Julian Wachner, and Malcolm Archer, with Vivaldi’s Stabat Mater and instrumental music by by Castello, Rosenmüller, and Biber.
Ryland Angel, countertenor
James Kennerley, organ
the Sebastians
Daniel S. Lee, baroque violin
Dongmyung Ahn, baroque violin
Kyle Miller, baroque viola
Ezra Seltzer, baroque cello
Wen Yang, violone and viola da gamba
Jeffrey Grossman, harpsichord
Trinity Wall Street, NYC (map)
Spring Glen Congregational Church, Hamden, CT (map)
Collinsville Congregational Church, Collinsville, CT (map)
Four concerti by Antonio Vivaldi with selections by Guiseppe Antonio Brescianello, Arcangelo Corelli, and Francesco Durante
Pequot Library, Southport, CT (map)
Harkness Chapel, New London, CT
Douglas Dunn Studios, NYC
Hunter College, NYC
For the first time in our history, we’re performing all six of J.S. Bach’s Brandenburg Concertos in a single concert! These iconic works—each dazzlingly different in color, character, and instrumentation—show Bach at his most joyful, inventive, and bold. From hunting horns and harpsichord fireworks to shimmering strings and virtuosic winds, this is a rare chance to hear the full set brought to life in one thrilling sweep.
Mechanics Hall, Worcester, MA