Hearing Nationalism

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Saturday, November 4, 2017 at 7:30pm

Good Shepherd-Faith Presbyterian Church
152 W 66th St
New York, NY, 10023

What does it mean to be a German, French, or Italian composer? In the 18th century, as national identity became more defined, composers grappled with that question, expressing their emerging national styles while also freely borrowing from others. This cosmopolitan program of Corelli, Telemann, Couperin, Muffat, Boyce, Royer, and Handel brings to life an enchanting diversity of styles.

Special Pre-Concert Recital: Come early to enjoy a beloved Bach cello suite, performed by the Sebastians core cellist Ezra Seltzer.



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Arcangelo Corelli
Trio Sonata in G major, op. 4, no. 10

Georg Philipp Telemann
Sonata for violin and continuo in D major, TWV 41:D1 from Six sonates à violon seul, accompagné par le clavessin (1715)

Joseph-Nicolas-Pancrace Royer
La Marche des Scythes

François Couperin
L’espagnole (C minor) (Sonade, Allemande, Courante, Passacaille)

intermission

Georg Muffat
Sonata in D maj

William Boyce
Trio Sonata op. 1, no. 5 in D maj

George Frideric Handel
Trio Sonata in G minor, op. 2, no. 5, HWV 390

Nicholas DiEugenio

violin

Jeffrey Grossman

harpsichord

Daniel S. Lee

violin

Ezra Seltzer

cello

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