The Sebastians ( are a dynamic and vital musical ensemble specializing in music of the baroque and classical eras. Lauded as “everywhere sharp-edged and engaging” (The New York Times), the Sebastians have also been praised for their “well-thought-out articulation and phrasing” (Early Music Review) and “elegant string playing… immaculate in tuning and balance” (Early Music Today). I Care If You Listen praised the ensemble’s “beautifully-nuanced playing and thoughtful expressivity” in their début album, calling the recording a “technical and timbral tour-de-force.” MORE

Winners of the Audience Prize at the 2012 Early Music America Baroque Performance Competition, the Sebastians were also finalists in the 2011 York International Early Music Competition and the 2011 Early Music America/Naxos Recording Competition. They have participated in the Carnegie Hall Professional Training Workshop with L’Arpeggiata, and have performed at Music Matters (LaGrua Center in Stonington, CT), Friends of Music at Pequot Library (Southport, CT), St. John’s Episcopal Church (Tulsa, OK), Juilliard in Aiken (SC), in the Twelfth Night Festival and Concerts@One at Trinity Wall Street (New York, NY), Early Music in Columbus (Ohio), the Renaissance and Baroque Society of Pittsburgh (PA), and Houston Early Music (TX). The Sebastians frequently collaborate with the vocal ensemble TENET, including recent, critically acclaimed performances of Bach‘s St. John Passion.

The Sebastians début CD, Night Scenes from the Ospedale (Jan. 2015), pairs Vivaldi concerti from L’Estro Armonico with newly composed interludes by Robert Honstein. I Care If You Listen praised the “beautifully-nuanced playing and thoughtful expressivity” in the recording, calling the album a “technical and timbral tour-de-force.” The group’s second CD, the Sebastians a 2: Virtuoso Music of the Holy Roman Empire (Sep. 2015), explores the rich baroque repertoire of music for violin and harpsichord written by composers from modern-day Germany, Austria, and the Czech Republic. In Spring 2018, the Sebastians will release a new CD of trio sonatas and vocal works by Corelli, Colista, Handel, and Vivaldi, with soprano Awet Andemicael.

The Sebastians 2017–18 season celebrates music that crosses boundaries: music published in Amsterdam by Italian composers; music by German, French, and Italian composers exploring a question of their individual “national” styles; vocal cantatas by Buxtehude that transcend the mortal world for the spiritual, in collaboration with TENET; and works by Bach in contrasting Italian and French styles. They are currently in residence at the Yale Collection of Musical Instruments.

…of the demand for this group, there can be little doubt…. energetic… youthful, vigorous performance style… The New York Times
…a worthy addition to any concert series accustomed to hearing leading mainstream string quartets. Early Music America
The Sebastians took us on a delightful journey, one in which lucid, subtle playing left space for the emotion and wit… the audience had been thoroughly seduced by the ensemble’s deft balance of firebrand playing and classical elegance. Seen and Heard International

Awet Andemicael


Nathaniel Chase


Alexandra Cook


Sarah Darling


Immanuel Davis


David Dickey


Jay Elfenbein


Chloe Fedor


Caroline Giassi


Hank Heijink


Nate Helgeson


Priscilla Herreid

recorder & oboe

Shirley Hunt

cello & gamba

R.J. Kelley


Francis Liu


Ben Matus


Kyle Miller


Scot Moore


Meg Owens

oboe & recorder

Cynthia Roberts


David Ross


Edson Scheid


Dongsok Shin


Anna Steinhoff

cello & gamba

Sarah Stone

cello & gamba

John Thiessen


Jessica Troy


Charles Weaver

theorbo / guitar

Beth Wenstrom


Wen Yang


Daniel S. Lee

Award-winning violinist Daniel S. Lee enjoys a varied career as a soloist, leader, collaborator, and educator. Praised for his “ravishing vehemence” and “soulful performance” (The New York Times), he has appeared as a soloist and leader with Early Music New York, Freiburg Baroque Orchestra, Quodlibet Ensemble, and Yale Schola Cantorum, among others. He is the founding director of the critically-acclaimed period ensemble, the Sebastians. As a piccolo violin specialist, he has performed as a soloist in Bach’s Brandenburg Concerto No. 1 and Cantata 140, and has given the modern-day premiere of his own transcription of Johann Pfeiffer’s concerto. He has studied at the Juilliard School (B.M.), Yale School of Music (M.M. and Art.Dip.), and University of Connecticut (D.M.A), and has given lectures and masterclasses at Connecticut College, Purchase College (SUNY), University of Kansas, and University of North Carolina at Chapel Hill. He was recently appointed as a faculty member at Yale School of Music.

Short bio

Praised for his “ravishing vehemence” and “soulful performance” (The New York Times), violinist Daniel S. Lee has appeared as a soloist and leader with Early Music New York, Freiburg Baroque Orchestra, Quodlibet Ensemble, and Yale Schola Cantorum, among others. He is the founding director of the critically-acclaimed period ensemble, the Sebastians. He has given lectures and masterclasses at Connecticut College, Manhattan School of Music, Purchase College (SUNY), University of Kansas, and UNC Chapel Hill. He is currently on the faculty at Yale School of Music.

Nicholas DiEugenio

Praised for his “invigorating, silken" playing and “mysterious atmosphere” (Cleveland Plain Dealer) and as an “evocative” violinist (The New York Times), Nicholas DiEugenio leads a versatile performing life as a chamber musician, concertmaster, and soloist in music ranging from early baroque to current commissions, and everything in between!

Nicholas and pianist Mimi Solomon perform in the US and abroad, and are currently embarking on the project “Unraveling Beethoven,” a cycle of all ten violin sonatas combined with response works from five composers. He has played concerts in St. Petersburg’s Glinka Hall, Merkin Hall, at the CMS of Lincoln Center, and at Carnegie’s Weill Hall. His recording of the complete Schumann violin sonatas with fortepiano (Musica Omnia) garnered several Global Music Awards in 2015; Nicholas can also be heard on recent recordings with the Sebastians and the Quodlibet Ensemble. His upcoming album with Mimi Solomon includes works for violin and piano of Steven Stucky and Robert Palmer.

A passionate teacher, Nicholas is Assistant Professor of Violin at UNC Chapel Hill, and was previously violin professor at the Ithaca College School of Music. He teaches at the Kinhaven Music School in Vermont during the summers. Nicholas holds degrees from CIM and the Yale School of Music, where he earned a DMA. As a core member of the Sebastians, Nicholas performs on a violin made by Karl Dennis in 2011, and also on a 1734 violin made by Dom Nicolo Amati.

Short bio

Praised by the New York Times for his “evocative” playing, violinist Nicholas DiEugenio leads a versatile musical life from Biber to Carter and beyond. A core member of the Sebastians, DiEugenio also performs and records with pianist Mimi Solomon. He has twice been a prizewinner at the Fischoff Competition; his recording of the three Schumann Sonatas with Chi-Chen Wu is available on Musica Omnia. Currently Assistant Professor of Violin at UNC Chapel Hill, he holds degrees from the Cleveland Institute of Music and the Yale School of Music.

Ezra Seltzer

Lauded for his “beauty of tone and keenness of musicianship” (Opera Britannia), cellist Ezra Seltzer is a founding member and principal cellist of the Sebastians, and has performed as guest principal cellist of the St. Paul Chamber Orchestra, Musica Angelica, Orchester Wiener Akademie, and the Trinity Wall Street Baroque Orchestra. He has also been a soloist and principal cellist at the Boulder Bach Festival, and is the associate principal cellist at the Carmel Bach Festival. With the vocal ensemble TENET, he has performed at the Festival Casals de Puerto Rico as well as at Berkshire Bach in Massachusetts. Last season he also appeared with the Portland Baroque Orchestra, Chicago’s Baroque Band, and New York Baroque Incorporated. He attended Yale University, where he received his Bachelor of Arts in history and Master of Music in cello, and graduated from the inaugural class of Juilliard’s historical performance program.

Jeffrey Grossman

Jeffrey Grossman's extensive musical activities include frequent performances as a harpsichordist, pianist, portative organist, and conductor. Acclaimed for his musicality, he has been praised as a “sensitive and fluent accompanist” of “flair and conviction” in Fanfare magazine. A native of Detroit, Michigan, he holds degrees from Harvard College, the Juilliard School, and Carnegie Mellon University. Jeffrey performs with numerous groups in the New York metropolitan area, including the Sebastians, PHOENIXtail, the Bach Players of Holy Trinity, Concitato, and Fire & Folly. He also tours parts of the rural United States with artists of the Piatigorsky Foundation. He can be heard on the Gothic, Naxos, Albany, Métier, and MSR Classics record labels. He currently resides in New York City. For more information, please visit


Founding Director: Daniel S. Lee

Artistic Director: Jeffrey Grossman

Managing Director: Karl Hinze

Founding Members: Daniel S. Lee & Ezra Seltzer